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MacDermott, K. H. 1922. Sussex Church Music in the Past. Chichester: Moore and Wingham.

MacDermott, K. H. 1948. The Old Church Gallery Minstrels. London: SPCK.

MacDougall, Hamilton C. 1940. Early New England Psalmody--An Historical Appreciation, 1629-1820. Brattleboro, Vermont: Stephen Daye Press.

Mackerness, E. D. 1964. A Social History of English Music. London: Routledge and Kegan Paul.

Maclear, J. F. 1992. Isaac Watts and the Idea of Public Religion. Journal of the History of Ideas 53(1):25-45.

Maguire, Marsha. 1979. A List of Long-Playing Recordings of Sacred Harp and other Shape Note Singing. Washington, D.C.: Library of Congress, Archive of Folk Song.

Mallary, C. M. 1844. The Memoirs of Elder Jesse Mercer. New York: Printed by John Gray.

Mangler, Joyce Ellen. See also: Carlson, Joyce Mangler.

Mangler, Joyce Ellen. 1956. Andrew Law: Musical Reformer. M.A. thesis, Brown University.

Mangler, Joyce Ellen. 1957. Andrew Law, Class of 1775: The Contributions of a Musical Reformer. Books at Brown 18(January):60-77.

Mangler, Joyce Ellen. 1958a. Early Music in Rhode Island Churches, I: Music in the First Congregational Church, Providence, 1770-1850. Rhode Island History 17:1-9.

Mangler, Joyce Ellen. 1958b. Early Music in Rhode Island Churches, III: Music in King's Church (St. John's), Providence, 1722-1850. Rhode Island History 17(73-84).

Mangler, Joyce Ellen. 1965. Rhode Island Music and Musicians, 1733-1850. Detroit Studies in Music Bibliography, No. 7. Detroit: Information Services, Inc.

Mankin, Jim. 1997. Sing to Me of Heaven--The Role of Eternal Life as Reflected in Gospel Songs. The Hymn 48(1):18-22.

Manning, Annette F. 1965. My Grandfather, Phonetics, and Music. Bulletin of the Cincinnati Historical Society 23:141-44.

Manning, Bernard Lord. 1938. The Hymns of Dr. Isaac Watts. Congregational Quarterly 16:430-49.

Manning, Bernard Lord. 1942a. Hymns for the Use of the People Called Methodists. In The Hymns of Wesley and Watts: Five Informal Papers, 7-31. London: Epworth Press.

Manning, Bernard Lord. 1942b. The Hymns of Dr. Isaac Watts. In The Hymns of Wesley and Watts: Five Informal Papers, 78-105. London: Epworth Press.

Manning, Bernard Lord. 1942c. The Recall to Religion in the Hymns of Charles Wesley. In The Hymns of Wesley and Watts: Five Informal Papers, 32-49. London: Epworth Press.

Manning, Bernard Lord. 1942d. Some Hymns and Hymn-Books. In The Hymns of Wesley and Watts: Five Informal Papers, 106-. London: Epworth Press.

Manning, Bernard Lord. 1942e. Wesley's Hymns Reconsidered. In The Hymns of Wesley and Watts: Five Informal Papers, 50-77. London: Epworth Press.

Manning, Robert. 1991. The Anthems of Henry Cooke. RCM (Royal College of Music) Magazine :25-33.

Manwaring, Randle. 1990. A Study of Hymn-writing and Hymn-singing in the Christian Church. Lewiston, N.Y.: E. Mellen Press.

Maquiso, Elena Granada. 1966. A Study of Indigenous Hymns in the Evangelical Church in the Philippines: Implications for Christian Education. doctoral dissertation, Hartford Seminary.

Marini, Stephen A. 1975. New England Folk Religions, 1770-1815. Ph.D. thesis, Harvard University.

Marini, Stephen A. 1982. Radical Sects of Revolutionary New England. Cambridge: Harvard University Press.

Marini, Stephen A. 1983. Rehearsal for Revival: Sacred Singing and the Great Awakening in America. In Sacred Sound: Music in Religious Thought and Practice, edited by Joyce Irwin, 71-91. Journal of the American Academy of Religious Studies, Vol. 50 edition. Chico, California: Scholars Press.

Marini, Stephen A. 1986. Evangelical Itinerancy in Rural New England: New Gloucester, Maine, 1754-1807. In Itinerancy in New England and New York. Boston: Boston University.

Marling, Frank H. 1903. Early American Writers on Church Music. Church Music Review 2(301-2).

Marrocco, W. Thomas. 1962. The Set Piece. Journal of the American Musicological Society 15:348-56.

Marrocco, W. Thomas. 1964. Notation in American Sacred Music Collections. Acta Musicologica 36(2-3):136-42.

Marrocco, W. Thomas, and Harold Gleason. 1964. Music in America, 1620 to 1865: An Anthology. New York: W. W. Norton and Co.

Marsh, J. B. T. 1877. The Story of the Jubilee Singers. 7th edition. London: Hodder and Stroughton.

Marshall, Howard Wright. 1974. Keep on the Sunny Side: Pattern and Religious Expression in Bluegrass Gospel Music. New York Folklore Quarterly 39(1):3-43.

Marshall, Madeleine Forell. 1990. Teaching the Uncanonized: The Examples of Watts and Rowe. In Teaching Eighteenth-Century Poetry, edited by Christopher Fox, 1-24. New York: AMS.

Marshall, Madeleine F., and Janet Todd. 1982. English Congregational Hymns in the Eighteenth Century. Lexington: University Press of Kentucky.

Martens, M. 1981. Four Centuries of Anglican Hymnody in America. In Hymnal Studies One: Perspectives on the New Edition, edited by R. F. Glover. New York: Church Hymnal Corporation.

Martin, Bernard. 1950. John Newton: A Biography. London: Heinemann.

Martin, Kathleen R. 1974. Cumberland County Singing Convention. Kentucky Folklore Record (Spring):29-32.

Martin, Raymond J. 1963. The Transition from Psalmody to Hymnody in Southern Presbyterianism, 1753-1901. S.M.D. dissertation, Union Theological Seminary.

Mason, Henry Lowell. 1944. Hymn-tunes of Lowell Mason: A Bibliography. Cambridge, Massachusetts: University Press. Reprint. New York: AMS Press, 1976.

Mason, Lowell. 1834. Manual of the Boston Academy of Music. Boston: J. H. Wilkins and R. B. Carter.

Mason, Lowell. 1837. A Yankee Musician in Europe: The 1837 Journals of Lowell Mason. . Reprint, ed. by Michael Broyles. Ann Arbor: UMI Research Press.

Mason, Lowell. 1853. The Pestalozzian Method of Teaching Music. The Choral Advocate and Singing Class Journal 4(June):85-86. Also in Musical Letters from Abroad.

Mason, Lowell. 1854a. Musical Letters from Abroad. New York: Mason Brothers.

Mason, Lowell. 1854b. The Psalm-Singing Puritans. New York Musical Review and Choral Advocate 235-36.

Mason, Lowell. 1860. How Shall I Teach? or Hints to Teachers as to the Use of Music and Its Notation. New York: Mason Brothers.

Mason, Lowell. 1863. A Glance at Pestalozzianism. New York: Mason Brothers.

Mason, Timothy B., and Charles Beecher. 1837. Report on Vocal Music as a Branch of Common School Education. Western Literary Institute and College of Professional Teachers, Minutes and Transactions 7:159-78.

Mather, Cotton. 1721. The Accomplished Singer. In Perry Miller and Thomas H. Johnson, eds., The Puritans, 2:450-453. New York: Harper, 1939.

Mather, Richard. 1640. Introduction to The Bay Psalm Book. In Perry Miller and Thomas H. Johnson, eds., The Puritans, 2:669-672. New York: Harper, 1939. Abriged reprint: in Perry Miller, ed., The American Puritans: Their Prose and Poetry, 320-322. New York: Doubleday/Anchor, 1956.

Mathews, Donald G. 1969. The Second Great Awakening as an Organizing Process, 1780-1830. . Reprint. John M. Mulder and John F. Wilson, eds., Religion in American History, 199-217. Englewood Cliffs, New Jersey: Prentice-Hall, 1978.

Mathews, William S. B. 1872. The "Normal" Music School. Dwight's Journal of Music 32(`):302-3.

Mathews, William S. B. 1889. A Hundred Hears of Music in America. Chicago: G. L. Howe.

Mathews, William S. B. 1892. Luther W. Mason and School Music. Music: A Monthly Magazine 2(474-82).

Mathews, William S. B. 1896. Lowell Mason and the Higher Art of Music in America. Music: A Monthly Magazine 9:378-88, 575-91.

Maultsby, Portia K. 1974. Afro-American Religious Music, 1619-1861. Ph.D. dissertation, University of Wisconsin.

Maultsby, Portia K. 1975. Music of the Northern Independent Black Churches During the Antebellum Period. Ethnomusicology 19(3):401-20.

Maultsby, Portia K. 1976. Black Spirituals: An Analysis of Textual Forms and Structures. The Black Perspective in Music 4(Spring):54-69.

Maultsby, Portia K. 1979. Towards an Aesthetic for Black Music: A Socio-Cultural Study of Origins for Black Spirituals. Paper presented at the Symposium on Rural Hymnody, Berea College, Berea, Kentucky, April 27-29, 1979. Housed at the Archives of the Hutchins Library, Berea College.

Maultsby, Portia K. 1981a. Africanisms Retained in the Spiritual Tradition. In IMS Report, Berkeley 1977, 75-82. Kassel: Barenreiter.

Maultsby, Portia K. 1981b. Afro-American Religious Music: A Bibliography and a Catalogue of Gospel Music. Ethnomusicology 25(January):147-48.

Maultsby, Portia K. 1983a. The Origin of Black Spirituals: A Summary and Analysis of Theories. Hymnologie 2(May):118-124.

Maultsby, Portia K. 1983b. Review of Jubilee to Gospel: A Selection of Commercially Recorded Black Religious Music, 1921-1953. William H. Tallmadge, compiler. Notes by Doug Seroff. John Edwards Memorial Foundation, JEMF-108.

Maultsby, Portia K. 1983c. The Use and Performance of Hymnody, Spirituals, and Gospels in the Black Church. Western Journal of Black Studies 7(3):161-71.

Maultsby, Portia K. 1984. Funktion und Darbietung von Kircheliedern, Spirituals und Gospels in der schwarzen Kirche (The Use and Performance of Hymnody, Spirituals, and Gospels in the Black Church). Jahrbuch fur Liturgik und Hymnologie 27:192-207.

Maultsby, Portia K. 1986-87. The Use and Performance of Hymnody, Spirituals, and Gospels in the Black Church. Journal of the Interdenominational Theological Center 14(Fall/Spring):141-59.

Maultsby, Portia K. 1992a. The Impact of Gospel Music on the Secular Music Industry. In We'll Understand It Better By and By: Pioneering African American Gospel Composers, 19-33. Washington, D.C.: Smithsonian Institution.

Maultsby, Portia K. 1992b. The Use and Performance of Hymnody, Spirituals, and Gospels in the Black Church. Hymnology Annual 2:11-26.

Maurer, Mauer. 1950a. The Library of a Colonial Musician, 1755. William and Mary Quarterly 3(October):39-52.

Maurer, Mauer. 1950b. The "Professor of Musick" in Colonial America. Musical Quarterly 36:511.

Maxson, Charles Hartshorn. 1920. The Great Awakening in the Middle Colonies. Chicago: University of Chicago Press.

McCallum, Brenda. 1988. Songs of Work and Songs of Worship: Sanctifying Black Unionism in the Southern City of Steel. New York Folklore 14(1-2):9-33.

McCann, Forrest W. 1976. The Hymnals of the Restoration Movement. Restoration Quarterly 19(1):23-38.

McCommon, Paul C. 1948. The Influence of Charles Wesley's Hymns on Baptist Theology. Ph.D. dissertation, Southern Baptist Theological Seminary.

McConathy, Osbourne. 1937. Luther Whiting Mason. Music Educators Journal 23(6):26-27.

McCormick, David W. 1963. Oliver Holden, Composer and Anthologist. D.S.M. dissertation, Union Theological Seminary.

McCutchan, Robert G. 1942. Our Hymnody. New York: Abingdon Press.

McCutchan, Robert G. 1943. England's Development of the Hymn. In Hymns in the Lives of Men, 138-54: Southwestern University Lectures.

McCutchan, Robert G. 1957. Hymn Tune Names: Their Sources and Significance. New York: Abingdon Press. Reprint. New York, 1977.

McDevitt, William. 1941. Foundation Book in Collecting American Music: The Bay Psalm Book. Hobbies 46(2):42-43.

McDormand, Thomas Bruce, and Frederic S. Crossman. 1965. Judson Concordance to Hymns. Valley Forge: Judson Press.

McDowell, Lucien L. 1937. Songs of the Old Camp Ground. Ann Arbor: Edwards Brothers, Inc.

McElrath, Hugh T., and Edmond D. Keith. 1964. Sing from Your Hearts. Nashville: Convention Press.

McFarland, John R. 1986. Looking for the Gospel at a Gospel Concert. Christian Century (June 18):579-81.

McGill, Lynn D. 1968. A Study of Shape-Note Music as a Resource and as a System of Teaching Music. M.A. thesis, University of Tennessee at Knoxville.

McGrady, R. 1993. Traces of Ancient Mystery: The Ballad Carols of Davies Gilbert and William Sandys. Sources of Cornish History 3:50-53.

McGraw, Edgar Leon (obit.). 1988. Edgar Leon McGraw Obituary. National Sacred Harp Newsletter 3(February).

McGraw, Hugh. 1975. Sacred Harp Singing. Lecture delivered at the meetings of the American Choral Directors Association Convention, St. Louis, Missouri, 8 March.

McGraw, Hugh. 1989. In Memory of Thomas Buford McGraw. National Sacred Harp Newsletter 4(January).

McGraw, Hugh. 1990. To All Lovers of Sacred Harp Music (Invitation to "New Songs" Singing). National Sacred Harp Newsletter 6(July).

McGraw, Hugh. 1991. Music Committee Makes Public the Songs to be Deleted. National Sacred Harp Newsletter 6(January).

McGregory, Jerrilyn. 1997. Singing Buildings in the Wiregrass Country. Presented at the Alabama Studies Symposium, Montgomery, August 1, 1997.

McKay, David P. 1971. William Selby, Musical Emigre in Colonial Boston. Musical Quarterly 57(October).

McKay, David P. 1975. Cotton Mather's Unpublished Singing Sermon. New England Quarterly 48(September):419.

McKay, David P., and Richard Crawford. 1975. William Billings of Boston: Eighteenth-Century Composer. Princeton, New Jersey: Princeton University Press.

McKellar, Hugh D. 1997. A History of The Hymn Society in the United States and Canada, 1922-1997. The Hymn 48(3):8-17.

McKenzie, Wallace. 1988. Anthems of the Sacred Harp Tunesmiths. American Music 6(3):247-263.

McKenzie, Wallace. 1989. The Alto Parts in the "True Dispersed Harmony" of The Sacred Harp Revisions. Musical Quarterly 73:153-71.

McKim, LindaJo H. 1993. The Presbyterian Hymnal Companion. Louisville: Westminster/John Knox Press.

McKinley, Frank Arnold. 1946. The American Gospel Song. M.A. thesis, Westminster Choir College.

McKinnon, James. 1965. The Meaning of the Patristic Polemic Against Musical Instruments. Current Musicology :69-82.

McKissick, Marvin. 1958. The Function of Music in American Revivals Since 1875. The Hymn 9(4):107-17.

McLemore, B. F. 1988. Tracing the Roots of Southern Gospel Singers. Jasper, Texas: The Author.

McLoughlin, William G. 1968. The American Evangelicals, 1800-1900. New York: Harper and Row.

McNaught, W. G. 1893. The History and Uses of the Sol-Fa Syllables. Proceedings of the Royal Musical Association 19(January):35-51.

Mead, Amos P. 1859. Manna in the Wilderness, or, The Grove and its Altar, Offerings, and Thrilling Incidents. Philadelphia: Perkinpine and Higgins.

Mead, Rita H. 1973. Doctoral Dissertations in American Music. Institute for Studies in American Music, Monograph Series, Vol. 3. Brooklyn, New York: City University of New York.

Mead, Sidney E. 1940. Lyman Beecher and Connecticut Orthodoxy's Campaign Against the Unitarians, 1819-26. Chicago: University of Chicago Libraries.

Mead, Sidney E. 1963. The Lively Experiment: The Shaping of Christianity in America. New York: Harper and Row.

Means, J. O. 1864. Congregationalism of Isaac Watts. Congregational Quarterly 6:10.

Melton, J. Gordon, ed. 1987. Encyclopedia of American Religion. 2nd edition. Detroit: Gale Research Co.

Metcalf, Frank J. 1917. American Psalmody: or, Titles of Books, Containing Tunes Printed in America from 1721 to 1820. New York: Charles F. Heartman. Reprint. New York: Da Capo Press, 1968.

Metcalf, Frank J. 1925. American Writers and Compilers of Sacred Music. New York: Abingdon Press. Reprint. New York: Russell and Russell, 1967.

Metcalf, Frank J. 1926. History of Sacred Music in the District of Columbia. Records of the Columbia Historical Society 28:175-202.

Metcalf, Frank J. 1928. Stories of Hymn Tunes. New York and Cincinnati: Abingdon Press.

Metcalf, Frank J. 1937. The Easy Instructor: A Bibliographical Study. Musical Quarterly 23(1):89-97.

Meyer, Henry Edwin. 1942. Southern Spirituals for White Singers. M.A. thesis, Southwest State Teachers College.

Meyer, Henry Edwin. 1955. Moods of Time in American Tune Books. Paper read at the meetings of the Texas Chapter of the American Musicological Society, Baylor University, Waco, Texas, April 16.

Miller, Terry E. 1971. Alexander Auld and American Shape-note Music. MM dissertation, Indiana University.

Miller, Terry E. 1975a. Alexander Auld, 1816-1898: Early Ohio Musician. Cincinnati Historical Society Bulletin 33:245-60.

Miller, Terry E. 1975b. Voices from the Past: The Singing and the Preaching at Otter Creek Church. Journal of American Folklore 88(349):266-82.

Miller, Terry E. 1981. Old Time Shape-Note Singing Schools in Eastern Kentucky. Southern Quarterly 20(1):35-45.

Miller, Terry E. 1984. Oral Tradition Psalmody Surviving in England and Scotland. The Hymn 35(1):15-22.

Miller, Terry E. 1985. Review of Warren's Minstrel, by James Sullivan Warren Jr. (Athens, Ohio Ohio University Press, 1984). Ameican Music 3:355-56.

Milner, Rev. Thomas. 1834. The Life, Times and Correspondence of the Reverend Isaac Watts, D.D. London: Simpkins and Marshall.

Milner's Life of Watts. 1833. Milner's Life of Isaac Watts. Congregational Magazine 18:39.

Minshall, E. 1880. Church Music in America. Musical Herald 1:67, 79-80.

Misiewicz, Roger. 1971. Sacred Harp Notes. Old Time Music 3:20-21.

Mitchell, Henry Chesterfield. 1976. The "Sacred Harp" Singing Group as an Instance of Non-Formal Education. Ph.D. dissertation, Florida State University.

Mitchell, Nahum. 1841. William Billings. Musical Reporter 1(July):297-304.

Miyakawa, T. Scott. 1964. Protestants and Pioneers: Individualism and Conformity on the American Frontier. Chicago: University of Chicago Press.

M'Nemar, Richard. 1846. The Kentucky Revival. New York: Printed by Edward O. Jenkins.

Monroe, Will S. 1907. History of the Pestalozzian Movement in the United States. Syracuse: C. W. Bardeen.

Montell, William Lynwood. 1991. Singing the Glory Down: Amateur Gospel Music in South Central Kentucky, 1900-1990. Lexington: University of Kentucky Press.

Moody, Carole. 1980. The Music of the Puritans to 1740. B.A. thesis, Marlboro College.

Moore, Douglas. 1967. The Activities of Lowell Mason in Savannah, Georgia. M.F.A. thesis, University of Georgia.

Moore, John W. 1859. Who Invented Patent Notes? New York Musical Review and Gazette 10:179-80.

Moore, John W. 1876. A Dictionary of Musical Information and a List of Modern Musical Works Published in the United States from 1640 to 1875. Boston: O. Ditson.

Moore, R. Laurence. 1986. Religious Outsiders and the Making of Americans. New York: Oxford University Press.

Moore, William E. n.d. History of Presbyterianism in Ohio to the Year 1870. . Unpublished manuscript housed at the University of Chicago.

Morgan, Catharine. 1960. Methodist Folk-Hymnody. Music Ministry 1/5:9-10, 27; 1/6:2-3.

Morgan, Catharine. 1967. Sacred Folk Song in America. American Guild of Organists Quarterly 12:54-60.

Morgan, Edmund S. 1965. Visible Saints: The History of a Puritan Idea. Ithaca: Cornell University Press.

Morgan, Stuart Miles. 1939. Music in the Village Church: An Attempt at Something Practical. London.

Morin, Raymond. 1941. William Billings: Pioneer in American Music. New England Quarterly 14(1).

Morris, Arthur C., Jr. 1960. Music in Rhode Island, 1630-1820. M.A.T. thesis, Brown University.

Morris, Gilbert Leslie. 1969. Imagery in the Hymns of Charles Wesley. Ph.D. dissertation, University of Arkansas.

Morris, Thomas A. 1854. Miscellany: Consisting of Essays, Biographical Sketches, and Notes of Travel. Cincinnati: L. Swormstedt and A. Poe for the Methodist Episcopal Church.

Morrison, Charles Edwin. 1992. Aldine S. Kieffer and Ephraim Ruebush: Ideals Reflected in Post-Civil War Ruebush-Kieffer Company Music Publications. Ph.D. dissertation, Arizona State University.

Moser, M. Y. 1974. Christian Harmony Singing at Etowah. Appalachian Journal 1(4):263-270.

Mountford, J. F. 1920. Greek Music in Its Relation to Modern Times. Journal of Hellenic Studies 40(13-42).

Mountford, J. F. 1923. The Musical Scales of Plato's Republic. Classical Quarterly 17:125-36.

Muradian, Thaddeus George. 1967. Lowell Mason: His Philosophy and Contribution to Music Education. M.A. thesis, San Diego State College.

Murray, Sterling E. 1969. The Life and Music of an Early American Composer: Timothy Swan (1758-1842). Master's thesis, University of Michigan.

Murray, Sterling E. 1976. Performance Practice in Early American Psalmody. American Choral Review 18(4):9-26.

Murray, Sterling E. 1978. Weeping and Mourning: Funeral Dirges in Honor of George Washington. Journal of the American Musicological Society 31(Summer):282-308.

Murrell, Irvin Henry, Jr. 1984. An Examination of Southern Ante-Bellum Baptist Hymnals and Tunebooks as Indicators of the Congregational Hymn and Tune Repertories of the Period With an Analysis of Representative Tunes. D.M.A. thesis, New Orleans Baptist Theological Seminary.

Music Committee News. 1989. Music Committee News (On Deleting Songs in the New Revision). National Sacred Harp Newsletter 4(March).

Music, David W. 1978. A New Source for the Tune 'All is Well'. The Hymn 29(April):76-82.

Music, David W. 1980a. Early Hymnists of Tennessee. The Hymn 31:246-251.

Music, David W. 1980b. The Meyer Manuscript: An 18th-Century American Tunebook. Current Musicology 29:31-40.

Music, David W. 1983. Ananias Davisson, Robert Boyd, Reubin Monday, John Martin, and Archibald Rhea in East Tennessee, 1816-26. American Music 1(3):72-84.

Music, David W. 1985. William Moore's Columbian Harmony (1825). The Hymn 36:16-19.

Music, David W. 1986. John B. Jackson: Southern Tunebook Compiler. The Hymn 37:26-30.

Music, David W. 1987. William Caldwell's Union Harmony (1837): The First East Tennessee Tunebook. The Hymn 38:16-22.

Music, David W. 1989. Joseph Flagg. American Music 7(2):140-58.

Music, David W. 1991. Cotton Mather and Congregational Singing in Puritan New England. Studies in Puritan American Spirituality 2:1-30.