Author List: l

Lacy, Maxine. 1986. Leonard Lacy. National Sacred Harp Newsletter 2(November).

Ladabouche, Paul Arthur. 1938. The Contribution of Our Southern Pioneers to American Church Music. M.A. thesis, Boston University.

LaFar, Margaret Freeman. 1944. Lowell Mason's Varied Activities in Savannah. The Georgia Historical Society Quarterly 28(3).

Lahee, Henry C. 1897. Organs and Organ Building in New England. New England Magazine 17(September):485-97.

Lahee, Henry C. 1922. Annals of Music in America, A Chronological Record of Significant Musical Events, from 1649 to the Present Day. Boston: Marshall Jones Co.

Laird, John. 1946. Concerning Dr. Watts. In Philosophical Incursions into English Literature, 52-73. Cambridge.

Lambert, Byron C. 1980. The Rise of Anti-Mission Baptists. New York: Arno Press.

Landon, E. A. 1978. Seventeenth and Eighteenth Century English and Colonial American Music Texts: An Analysis of Instructional Content. Doctoral dissertation, University of California, Los Angeles.

Landrum, John Belton Oneall. 1940. History of Spartanburg County. Spartanburg, South Carolina: Spartanburg Branch, American Association of University Women.

Lang, Paul Henry, ed. 1961. One Hundred Years of Music in America. New York: G. Schirmer.

Lange, Georg. 1899-1900. Zur Geschichte der Solmization. Sammelbünde der Internationalen Musikgesellschaft 1:535-622.

LaTrobe, J. A. 1831. The Music of the Church Considered in its Various Branches, Congregational and Choral: An Historical and Practical Treatise for the General Reader. London: Thames Ditton.

Lau, Barbara A. 1982. Religious Rituals and Cultural Cohesion: A Case Study: Shape-Note Singing by Urban Black Americans in Four Midwestern Cities. Mid-America Folklore 10(2-3):27-57.

Lawrence, Clara E. 1938. Early School Music Methods. Music Educators Journal 25(December):20-22.

Lawrence, Sharon S. 1982. A Look at a Final Generation: The Shape-Note Singing School Tradition in South Central Kentucky. Master's thesis, Eastern Kentucky University.

Lazenby, C. 1975. Shaping Music. In Kentuck Sampler: A Book of Alabama Lore, edited by Elaine S. Katz. Northport, Alabama: Chamber of Commerce.

Lazenby, Jimmy Ray. 1972. The Characteristics of Sacred Harp Music: The Problem of Maintaining the Style of Music in Composition and Arrangements. M.A. thesis, Stephen F. Austin State University.

Leaver, Robin A. 1991. "Goostly Psalmes and Spirituall Songes": English and Dutch Metrical Psalms from Coverdale to Utenhove, 1535-1566. London: Oxford University Press.

Leaver, Robin A. 1997. The Failure that Succeeded: The New Version of Tate and Brady. The Hymn 48(4):22-31.

Leaver, Robin A., James H. Litton, and Carlton R. Young, ed. 1985. Duty and Delight: Routley Rembered. A Memorial Tribute to Erik Routley (1917-1982). Carol Stream, Illinois: Hope Publishing Co.

Lee, Patrick. 1996. Walter Hartley and the Sacred Harp. Saxophone Journal 20(4):50-53.

Lee, William. 1888. Instructions in Psalmody in Boston before 1750. New England Historical and Geographical Register 42:197-98.

Leicester, James H. 1964. Dr. Johnson and Isaac Watts. New Rambler 17(June):2-10.

Leland, John. 1830. Short Sayings on Times, Men, Measures... Pittsfield, Massachusetts.

Leman Bart Brown. 1992. Leman Bart Brown Obituary. National Sacred Harp Newsletter 8(July).

Lenti, Vincent A. 1997. Saint Ambrose, the Father of Western Hymnody. The Hymn 48(4):44-48.

Leonard Lacy. 1993. Leonard Lacy Obituary. National Sacred Harp Newsletter 8(April/May).

Lesick, Lawrence. 1980. The Lane Rebels: Evangelicalism and Antislavery in Antebellum America. Metuchen, New Jersey: Scarecrow Press.

Lester, J. S. 1981. Music in Cumberland Presbyterian Churches in East Texas Presbytery, 1900-1977, As Recorded in Church Reports and As Related in Oral and Written Interviews. Doctoral dissertation, University of Texas at Austin.

Letters on Pestalozzi. 1829. Letters on Pestalozzi on the Education of Infancy. American Journal of Education 4(September-October):414-32, 4(November-December):548-55.

Lewicke, Anna Maria. 1989. Shape-Notes as a Mnemonic Aid to the Instruction of Sight-Singing in a Program of Holistic Music Education. M.M. thesis, University of Lowell.

Lewis, William G. 1857. Biography of Samuel Lewis, First Superintendent of Common Schools of the State of Ohio. Cincinnati: Methodist Book Concern.

Libby, C. H., and Peter W. Williams, ed. 1988. Encyclopedia of American Religious Experience. New York: Schribner.

Lichtenwanger, William. 1983. Oscar Sonneck and American Music. Music in American Life. Urbana: University of Illinois Press.

Lightwood, James T. 1898-1900. Notes on the Foundery Tune-Book. Proceedings of the Wesley Historical Society 1:116-17, 6:147-?

Lightwood, James T. 1905a. Hymn-Tunes and Their Story. London: Charles H. Kelly.

Lightwood, James T. 1905b. Tune Books of the Eighteenth Century. Proceedings of the Wesley Historical Society 4:101-8.

Lightwood, James T. 1927b. Methodist Music in the Eighteenth Century. London: The Epworth Press.

Lightwood, James T. 1927a. Methodist Music in the Eighteenth Century. London: Epworth Press.

Lightwood, James T. 1928. Stories of Methodist Music: Nineteenth Century. London: Epworth Press.

Lightwood, James T. 1933. The Music of the Methodist Hymn-Book. . Reprint. London: Epworth Press, 1955.

Lightwood, James T. 1935. Music of the Methodist Hymn Book. London: Epworth.

Lindsley, Charles Edward. 1968. Early Nineteenth-Century American Collections of Sacred Choral Music, 1800-1810. Ph.D. dissertation, University of Iowa.

Lindsley, Charles Edward. 1972. Scoring and Placement of the "Air" in Early American Tunebooks. Musical Quarterly 58(3):365-82.

Lindstrom, Carl E. 1939. William Billings and His Times. The Musical Quarterly 25(4).

Link, Eugene P. 1970. The Republican Harmony (1795) of Nathaniel Billings. Journal of Research in Music Education 18:414-18.

Lippencott, Margaret E. 1941. Dearborn's Musical Scheme. New York Historical Society Quarterly Bulletin 25(October):134-142.

Locke, Theresa Ann. 1976. The Forgotten Sacred Harp. Negro History Bulletin 34(6):619-31.

Loessel, Earl Oliver. 1959. The Use of Character Notes and Other Unorthodox Notations in Teaching the Reading of Music in Northern United States During the Nineteenth Century. Ed.D. dissertation, University of Michigan.

Loftis, Deborah C. 1987. Big Singing Day in Benton, Kentucky: A Study of the History, Ethnic Identity and Musical Style of Southern Harmony Singers. Ph.D. dissertation, University of Kentucky.

Lomax, Alan. 1960. Liner notes to All Day Singing from "The Sacred Harp". Recorded at the 1959 United Sacred Harp Singing Convention, Fyffe, Alabama. Prestige/International Records 25007.

Lomax, Alan. 1977. Liner notes to White Spirituals from the Sacred Harp: The Alabama Sacred Harp Convention. Recorded at the 1959 United Sacred Harp Singing Convention, Fyffe, Alabama. New World Records NW-205. Re-released.

Lombard, C. M. 1962. Timothy Flint: Early American Disciple of French Romanticism. Revue de Littérature Comparée 36:276-82.

Long, K. R. 1972. The Music of the English Church. London.

Lorenz, Ellen Jane. See also: Porter, Ellen Jane Lorenz.

Lorenz, Ellen Jane. 1941. Two Hundred Hymn Stories. Reprinted from "The Hymn-Lovers Corner," a monthly column in the Choir leader and the Choir herald. Dayton, Ohio: Lorenz Publishing Company.

Lorenz, Ellen Jane. 1971. A Critical Bibliography of the E. S. Lorenz Collection of Nineteenth-Century American Songbooks. M.S.M thesis, Wittenberg University.

Lorenz, Ellen Jane. 1973-78a. The Devil's Good Tunes: The Secular in Protestant Hymnody. Typescript. Copy at Southern Baptist Theological Seminary, Louisville, Kentucky.

Lorenz, Ellen Jane. 1973-78b. Nineteenth-Century American Songs and Hymns as a Reflection of the Romantic Movement. Typescript. Copy at Southern Baptist Theological Seminary, Louisville, Kentucky.

Lorenz, Ellen Jane. 1976. A Folio of Pages from Early American Songbooks. Church Music 1:38-40.

Lorenz, Ellen Jane. 1980. Glory Hallelujah! The Story of the Campmeeting Spiritual. Nashville: Abingdon Press.

Lorenz, Ellen Jane. 1984. The Sunday School Movement. The Hymn 35:209-213.

Lorenz, E. S. 1938. The Singing Church: The Hymns it Wrote and Sang. Nashville.

Lospinuso, Margaret F., and Martin Dillon. 1981. American Shape-Note Tunes. Perspectives in Computing: Applications in the Academic and Scientific Community 1(3):40-48.

Lovelace, Austin C. 1952. Early Sacred Folk Music in America. The Hymn 3(1):11-14, 57-63.

Lovelace, Austin C. 1965. The Anatomy of Hymnody. New York: Abingdon Press.

Loveland, Ann C. 1980. Southern Evangelicals and the Social Order, 1800-1810. Baton Rouge: Louisiana State University Press.

Lowens, Irving. 1952a. Daniel Read's World: The Letters of an Early American Composer. Notes of the Music Library Association 9(2). Reprint. Music and Musicians in Early America (New York: W. W. Norton, 1964), 159-77.

Lowens, Irving. 1952b. John Wyeth's Repository of Sacred Music, Part Second: A Northern Precursor of Southern Folk Hymnody. Journal of the American Musicological Society 5:114-?? Reprint. Music and Musicians in Early America (New York: W. W. Norton, 1964), 138-55.

Lowens, Irving. 1952c. Our Neglected Musical Heritage. The Hymn 3(4):49-55.

Lowens, Irving. 1952d. The Warrington Collection: A Research Adventure at Case Memorial Library. Bulletin of the Hartford Seminary Foundation 12(January). Reprint. Music and Musicians in Early America (New York: W. W. Norton, 1964), 272-78.

Lowens, Irving. 1953. The Origins of the American Fuging Tune. Journal of the American Musicological Society 6(1). Reprint. Music and Musicians in Early America (New York, 1964), 237-48.

Lowens, Irving. 1954. John Tuft's Introduction to the Singing of Psalm-Tunes (1721-44): The First American Music Textbook. Journal of Research in Music Education 2(2). Reprint. Music and Musicians in Early America (New York: W. W. Norton, 1964), 39-57.

Lowens, Irving. 1955. The Bay Psalm Book in 17th Century New England. Journal of the American Musicological Society 8(1):22-29. Reprint. Music and Musicians in Early America (New York: W. W. Norton, 1964), 25-38.

Lowens, Irving. 1956a. Music in the American Wilderness. Etude 74(September). Reprint. Music and Musicians in Early America (New York: W. W. Norton, 1964), 17-22.

Lowens, Irving. 1956b. Tunebooks, Tunesmiths, and Singing Schools. Etude 74(November):20, 59, 62-64.

Lowens, Irving. 1957a. A Check-List of Writings About Music in the Periodicals of American Transcendentalism (1835-50). Journal of the American Musicological Society 10(2). Reprint. Music and Musicians in Early America (New York, 1964), 311-21.

Lowens, Irving. 1957b. Shape Notes, New England Music, and White Spirituals. Etude 75(January):15-64, 75(February):20-52.

Lowens, Irving. 1958. The Choral Music of America Before the Civil War. New York: New York Public Library.

Lowens, Irving. 1959. Copyright and Andrew Law. Papers of the Bibliographical Society of America 53(2):158-59.

Lowens, Irving. 1960. Andrew Law and the Pirates. Journal of the American Musicological Society 13(1-3):206-223. Reprint. Music and Musicians in Early America (New York: W. W. Norton, 1964), 58-88.

Lowens, Irving. 1961. The Musical Edsons of Shady: Early American Tunesmiths. Bulletin of the New York Public Library 65(4). Reprint. Music and Musicians in Early America (New York: W. W. Norton, 1964), 178-93.

Lowens, Irving. 1962. Review of Continental Harmony, by William Billings (Cambridge Belknap Press of Harvard University, 1961). Edited by Hans Nathan. Musical Quarterly 48(July):397-400.

Lowens, Irving. 1963. Amerikanische Demokratie und die amerikanische Musik von 1830 bis 1914. In Bericht Über den Internationalen Musikwissenschaftlichen Kongress, Kassel, 1962, edited by Martin Just. Kassel: Bärenreiter-Verlag. English translation and reprint. "American Democracy and American Music (1830-1914)," Music and Musicians in Early America (New York: W. W. Norton, 1964), 264-271.

Lowens, Irving. 1964a. American Democracy and American Music (1830-1914). In Music and Musicians in Early America, edited by Irving Lowens, 264-271. New York: W. W. Norton. Translation of "Amerikanische Demokratie und die amerikanische Musik von 1830 bis 1914." In Martin Just, ed., Bericht Über den Internationalen Musikwissenschaftlichen Kongress, Kassel, 1962 (Kassel: Bärenreiter-Verlag, 1963).

Lowens, Irving. 1964b. The American Tradition of Church Song. In Of Hymns and the Choral Service, edited by Lee H. Bristol, Jr. Princeton, New Jersey: Westminster Choir College. Reprint. Music and Musicians in Early America (New York: W. W. Norton, 1964), 279-86.

Lowens, Irving. 1964c. The Easy Instructor (1801-1831): A Check-List of Editions and Issues. In Music and Musicians in Early America, 292-310. New York: W. W. Norton and Company.

Lowens, Irving. 1964d. Introduction. In Repository of Sacred Music, by John Weyth. New York: Da Capo Press. Reprint of 2nd edition (1820), published by J. Wyeth, Harrisburg, Pennsylvania.

Lowens, Irving. 1964e. Music and American Transcendentalism (1835-50). In Music and Musicians in Early America, 249-263. New York: W. W. Norton and Company.

Lowens, Irving. 1964f. Music and Musicians in Early America. New York: W. W. Norton.

Lowens, Irving. 1964g. A Postscript on Shape-Notes. In Wyeth's Repository of Sacred Music, Part Second. New York: Da Capo Press.

Lowens, Irving. 1966. The Songster and the Scholar. Proceedings of the American Antiquarian Society 76(April):59-70.

Lowens, Irving. 1974. Introduction. In Repository of Sacred Music, by John Weyth. New York: Da Capo Press. Reprint of 5th edition (1820), published by J. Wyeth, Harrisburg, Pennsylvania.

Lowens, Irving. 1976. A Bibliography of Songsters Printed in American Before 1821. Worchester, Massachusetts: American Antiquarian Society.

Lowens, Irving. 1977. Pre-twentieth-century American Influences on European Music. Studia Musicologica 11:15-25.

Lowens, Irving. 1978. Music in America and American Music: Two Views of the Scene. I.S.A.M. Monographs, No. 8. New York: Institute for Studies in American Music.

Lowens, Irving. 1979a. Haydn in America. Bibliographies in American Music. .

Lowens, Irving. 1979b. Review of Rivers of Delight: American Folk Hymns from the Sacred Harp Tradition, by Word of Mouth Chorus (New York Nonesuch Records H-71360, 1979). Hi Fi 29(November):120-21.

Lowens, Irving. 1980. Review of Camp Meeting Spiritual Folksongs: Legacy of the Great Revival in the West, by Richard H. Hulan. The Hymn 31(4):293-5.

Lowens, Irving. 1981a. Musikausbildung in den Vereinigten Staaten [Music Training in the USA]. HiFi-Stereophonie 20(4):344-48.

Lowens, Irving. 1981b. Review of The Shaker Spiritual, by Daniel W. Patterson. Musical Quarterly 67(1):131-6.

Lowens, Irving. 1987. Amphion: Another Piracy from Andrew Law? In Hill Gedenkschrift, 185-98. Detroit: Information Coordinators.

Lowens, Irving, and Allen P. Britton. 1953. The Easy Instructor (1798-1831): A History and Bibliography of the First Shape-Note Tune-Book. Journal of Research in Music Education 1(1):30-55. Reprint. Music and Musicians in Early America (New York: W. W. Norton, 1964), 115-37.

Lowens, Irving, and Allen P. Britton. 1955. Daniel Bayley's "The American Harmony," a Bibliographical Study. Papers of the Bibliographical Society of America 41(4):340-354.

Lucas, G. W. 1844. Remarks on the Musical Conventions in Boston. Northampton, Massachusetts: The Author.

Lucas, Paul. 1976. Valley of Discord: Church and Society Along the Connecticut River: 1636-1725. Hanover: University Press of New England.

Luff, Alan. 1990. Welsh Hymns and Their Tunes: Their Background and Place in Welsh Culture and History. Carol Stream, Illinois: Hope Publishing.

Lumpkin, Ben G. 1965. "The Happy Land of Canaan": An Unpublished Civil War Song. Civil War History 11:44-57.

Lutkin, Peter C. 1910. Music in the Church. Milwaukee: Young Churchman Co.

Lytle, Nelson Andrew. 1930. The Hind Tit. In I'll Take My Stand: The South and the Agrarian Tradition, 201-45. New York: Harper and Brothers. Reprint, edited by Louis D. Rubin, Jr. New York: Harper and Row, 1962.