Author List: d

D. T. White Obituary. 1988. D. T. White Obituary. National Sacred Harp Newsletter 4(July).

Dakers, L. 1970. Church Music at the Crossroads. London.

Dale, Edward Everett. 1940. The Singing School. In Dictionary of American History, edited by James Truslow Adams. 2nd edition. New York: Charles Scribner's Sons.

Dalton, James S. 1973a. Entering the Consenting Community: Conversion and Initiation in the Kentucky Camp Meeting. Presented at the meetings of the American Society of Church History, San Francisco, December 29.

Dalton, James S. 1973b. Ritual and Revival: The Kentucky Camp Meeting Revivals as Ritual Forms. Paper presented at the American Academy of Religion, Chicago, November 9.

Dalton, James S. 1975. The Nature and Structure of the Conversion Experience in the First and Second Great Awakenings. Presented at the meetings of the American Academy of Religion, Chicago, November 2.

Dalton, James S. 1977. Anthropology and American Religious History: Some Methodological Considerations. Presented at the meetings of the American Society of Church History, Dallas, December 28.

Damon, S. Foster. 1934. The Negro in Early American Songsters. Papers of the Bibliographical Society of America (28):132-63.

Damrosch, Frank. 1908. Music in the Public Schools. In The American History and Encyclopedia of Music, edited by W. L. Hubbard, 19-37. Toledo: Irving Squire.

Daniel, Harlan. 1971. 78 RPM Recordings of Sacred Harp Songs: Preliminary Notes Contributing Towards a Numerical Check List. JEMF Quarterly (John Edwards Memorial Foundation) 6(Spring, No. 17):7-16.

Daniel, Harlan. 1976. Abstract for, "From Shape Notes to Bank Notes: Milestones in the Evolution of White Gospel Music." Presented at the meetings of the Popular Culture Association, Chicago, April 27.

Daniel, Harlan. 1979. Peripheral American Hymnody: A View of History from the Back of the Brush Arbor. Paper presented at the Symposium on Rural Hymnody, Berea College, Berea, Kentucky, April 27-29, 1979. Housed at the Archives of the Hutchins Library, Berea College.

Daniel, Ralph T. 1955. The Anthem in New England Before 1800. Ph.D. dissertation, Harvard University.

Daniel, Ralph T. 1959. English Models for the First American Anthems. Journal of the American Musicological Association 12(1):49-59.

Daniel, Ralph T., and P. le Huray. 1972. The Sources of English Church Music, 1549-1660. London.

Davenport, Linda Gilbert. 1991. Maine's Sacred Tunebooks, 1800-1830: Divine Song on the Northeast Frontier. Ph.D. dissertation, University of Colorado at Boulder.

Davenport, Linda Gilbert. 1996. Maine's Sacred Tunebooks, 1800-1830: Divine Song on the Northeast Frontier. Composers of North America, No. 18. Metuchen, New Jersey: Scarecrow Press.

David, Hans T. 1943. Hymns and Music of the Pennsylvania Seventh-Day Baptists. American-German Review 9(5):4-6, 36.

Davidson, Donald. 1934a. The Sacred Harp in the Land of Eden. Virginia Quarterly Review 10:203-17. Reprint. Still Rebels, Still Yankees, and Other Essays (Baton Rogue: Louisiana State University Press, 1957), 137-56. Second reprint. Frank W. Hoogerwerf, ed., Music in Georgia (New York: Da Capo Press, 1984), 1-15. Condensed edition printed as "Songs of the Sacred Harp," Reader's Digest 24(No. 145, 1934):83-86.

Davidson, Donald. 1934b. Songs of the Sacred Harp. Reader's Digest 24(145):83-86. Condensed from "Sacred Harp in the Land of Eden," Virginia Quarterly Review 10(1934):203-17.

Davidson, Donald. 1935. White Spirituals: The Choral Music of the South. American Scholar 4:460-73.

Davidson, Donald. 1944. The Master of the Sacred Harp. Tennessee Folklore Society Bulletin 10(1):1-8.

Davidson, James. 1954. Emily Dickinson and Isaac Watts. Boston Public Library Quarterly 6:141-49.

Davidson, James R. 1975. A Dictionary of Protestant Church Music. Metuchen, New Jersey: Scarecrow.

Davie, Donald. 1952. The Classicism of Charles Wesley. In Purity of Diction in English Verse, 70-81. Reprint. N.Y.: Schocken Books, 1967.

Davie, Donald. 1953. The Critical Principles of William Cowper. The Cambridge Journal 7:182-8.

Davie, Donald. 1978. A Gathered Church: The Literature of the English Dissenting Interest, 1700-1930. London.

Davie, Donald. 1982a. Dissenters and "Antiquity". In Dissentient Voice: The Ward-Phillips Lectures for 1980 with some Related Pieces, 109-23. South Bend, Indiana: University of Notre Dame Press.

Davie, Donald. 1982b. Enlightenment and Dissent. In Dissentient Voice: The Ward-Phillips Lectures for 1980 with some Related Pieces, 20-31. South Bend, Indiana: University of Notre Dame Press.

Davie, Donald. 1982c. The Language of the Eighteenth-Century Hymn. In Dissentient Voice: The Ward-Phillips Lectures for 1980 with some Related Pieces, 67-82. South Bend, Indiana: University of Notre Dame Press. Originally an address delivered at the William Andrews Clark Memorial Library, Los Angeles, March 5, 1977. Also printed in English Hymnology in the Eighteenth Century.

Davie, Donald. 1982d. Poetry and the English Enlightenment. In Dissentient Voice: The Ward-Phillips Lectures for 1980 with some Related Pieces, 3-19. South Bend, Indiana: University of Notre Dame Press.

Davie, Donald. 1990a. The Poetry of the Metrical Psalm. PN Review 16(6):31-35.

Davie, Donald. 1990b. Psalmody As Translation. Modern Language Review 85:817-828. Reprint. The Eighteenth-Century Hymn in England, 71-86.

Davie, Donald. 1993a. The Author of "Amazing Grace". In The Eighteenth-Century Hymn in England, 121-36. New York: Cambridge University Press.

Davie, Donald. 1993b. The Carnality of Charles Wesley. In The Eighteenth-Century Hymn in England, 57-70. New York: Cambridge University Press.

Davie, Donald. 1993c. The Eighteenth-Century Hymn in England. New York: Cambridge University Press.

Davie, Donald. 1993d. The "Ending Up" of Isaac Watts. In The Eighteenth-Century Hymn in England, 49-56. New York: Cambridge University Press.

Davie, Donald. 1993e. Isaac Watts: The Axiomatic Hymns. In The Eighteenth-Century Hymn in England, 27-38. New York: Cambridge University Press.

Davie, Donald. 1993f. Watts' Atrocity Hymns. In The Eighteenth-Century Hymn in England, 39-48. New York: Cambridge University Press.

Davie, Donald. 1993g. William Cowper and the Plain Style. In The Eighteenth-Century Hymn in England, 137-54. New York: Cambridge University Press.

Davies, Horton. 1961. Worship and Theology in England from Watts to Maurice, 1690-1850. Princeton, New Jersey: Princeton University Press.

Davis, Arthur Paul. 1943. Isaac Watts: His Life and Works. New York: Dryden Press.

Davis, J. K. 1962. Early American Singing Schools. Music Journal 20(March):46, 94-95.

Davis, Mark S. 1988. History of the Mississippi State Sacred Harp Convention. National Sacred Harp Newsletter 4(August).

Davis, Virginia Lucile. 1976. The 1651 Revision of the Bay Psalm Book. Master's thesis, Kent State University.

Davison, Archibald T. 1944a. Music Education in the United States. In Harvard Dictionary of Music, edited by Willi Apel. Cambridge: Harvard University Press.

Davison, Archibald T. 1944b. Psalter. In Harvard Dictionary of Music, edited by Willi Apel. Cambridge: Harvard University Press.

Dawson, Cole P. 1977. Yankees in the Queen City: The Social and Intellectual Contributions of New Englanders in Cincinnati, 1820-1850. Ph.D. thesis, Miami University.

Day, H. W. 1839. The Vocal School or Pestalozzian Method of Instruction in the Elements of Vocal Music. Boston: Otis, Broaders and Co.

de Burgos, Francis. 1930. The Singing School in Early America. Ph.D. dissertation, Detroit Conservatory of Music.

Deacon, Malcolm. 1980. Philip Doddridge of Northampton. Northampton.

Deakin, Andrew. 1892. Musical Bibliography: A Catalogue of the Musical Works (Historical, Theoretical, Polemical, etc.) Published in England during the Fifteenth, Sixteenth, Seventeenth, and Eighteenth Centuries, Chronologically Arranged, with Notes and Observations on the Principal Works. Birmingham, England: Stockley and Sabin.

Dearborn, B. 1775. A Scheme for Reducing the Science of Music to a More Simple State. Portsmouth, New Hampshire: The Compiler.

Dearnley, C. 1970. English Church Music, 1650-1750. London.

DeLong, Richard. 1985a. Fasola Singing: Its History and Traditions. National Sacred Harp Newsletter 1(June).

DeLong, Richard. 1985b. The History of the Sacred Harp Book (in two parts). National Sacred Harp Newsletter 1(Pt. 1, July; Pt. 2, August).

DeLong, Richard. 1987. Citizen of the Month: Mrs. Eva Mae Corley Reeves. National Sacred Harp Newsletter 2(February).

Demos, John. 1970. A Little Commonwealth: Family Life in Plymouth Colony. New York: Oxford University Press.

Denisoff, R. Serge. 1970. The Religious Roots of the American Song of Persuasion. Western Folklore 29:175-84.

DeVos, B. R. 1971. The Emergence of Tudor Church Music in the Vernacular. Ph.D. dissertation, Boston University.

Dickey, Frances M. 1913. The Early History of Public School Music in the United States. Proceedings of the Music Teachers National Association 35:185-209.

Dickson, W. E. 1895. Fifty Years of Church Music. Ely: Hills.

Diehl, Katharine Smith. 1966. Hymns and Tunes; An Index. Metuchen, New Jersey: Scarecrow Press.

Dineen, William. 1944. Early American Manuscript Music-Books. Musical Quarterly 30:50-62.

Dineen, William. 1958. Music in the Meeting House, 1775-1958. Providence, Rhode Island: Privately printed for the First Baptist Church in America.

Divine Watts. 1925. The Divine Watts. Papers of the Bibliographical Society of America 19:76.

DjeDje, Cogdell Jacqueline. See also: Cogdell, Jacqueline Delores. .

DjeDje, Jacqueline Cogdell. 1978. American Black Spiritual and Gospel Songs from Southeast Georgia: A Comparative Study. Los Angeles: University of California Center for Afro-American Studies.

Doe, P. 1971. Another View of Musica Ficta in Tudor Music. PRMA 98:113-22.

Donahue, Sister B. J. 1966. From Latin to English: Plainsong in Tudor England. Ph.D. dissertation, Catholic University.

Donakowski, Conrad L. 1977. A Muse for the Masses: Ritual and Music in the Age of Democratic Revolution, 1770-1870. Chicago: University of Chicago Press.

Dooley, James Edward. 1963. Thomas Hastings: American Church Musician. Ph.D. dissertation, Florida State University.

Dorenkamp, J. H. 1972. The Bay Psalm Book and the Ainsworth Psalter. Early American Literature 7:3-16.

Dorgan, Howard. 1989. The Old Regular Baptists of Central Appalachia. Knoxville: University of Tennessee Press.

Doughty, W. L. 1958. Charles Wesley, Preacher. London Quarterly and Holborn Review :253-67.

Douglas, C. Winfred. 1937. Church Music in History and Practice. New York: Charles Scribner's Sons.

Douglas, C. Winfred. 1941. Early Hymnody of the American Episcopal Church. Historical Magazine of the Protestant Episcopal Church 10(3):202-18.

Downey, James C. 1963. The Gospel Hymn, 1875-1930. M.A. thesis, University of Southern Mississippi.

Downey, James C. 1964. Frontiers of Baptist Hymnody. Church Musician 15(4):14-17.

Downey, James C. 1965. Revivalism, the Gospel Songs, and Social Reform. Ethnomusicology 9:115-25.

Downey, James C. 1968. The Music of American Revivalism. Ph.D. dissertation, Tulane University.

Downey, James C. 1979. The Black and/or White Spiritual: An Historical Consideration. Paper presented at the Symposium on Rural Hymnody, Berea College, Berea, Kentucky, April 27-29, 1979. Housed at the Archives of the Hutchins Library, Berea College.

Downey, James C. 1981. Review of The Sacred Harp: A Tradition and its Music, by Buell E. Cobb, Jr. (Athens University of Georgia Press, 1978). Ethnomusicology 25:139-40.

Downey, James C. 1985. The American Folk Hymn in the British Isles. Mississippi Folklore Register 19(2):71-81.

Downey, James C. 1986. Joshua Leavitt's The Christian Lyre and the Beginning of the Popular Tradition in American Religious Song. Latin American Music Review/Revista de musica Latino Americana 7(2):149-61.

Dox, Thurston. 1991. George Frederick Bristow and the New York Public Schools. American Music 9(4):339-52.

Doxey, Mary Bitzer. 1957. Lowell Mason, Modern Music Educator. M.M.Ed. thesis, University of Mississippi.

Draper, David E. 1982. Abba isht tuluwa: The Christian Hymns of the Mississippi Choctaw. American Indian Culture and Research Journal 6(1):43-61.

Drummond, R. Paul. 1986. A History of Music among Primitive Baptists since 1800. D.A. thesis, University of Northern Colorado.

Drummond, R. Paul. 1988. A Portion for the Singers. Atwood, Tennessee: Christian Baptist Library and Publishing Company.

Dubbs, J. H. 1882. Early German Hymnology of Pennsylvania. Reformed Quarterly Review .

DuBose, John Witherspoon. 1888. Birmingham. In Northern Alabama: Historical and Biographical, 744-58. Reprint. Spartanburg, South Carolina: Reprint Co., 1976.

Duerksen, Rosella R. 1956. Anabaptist Hymnody of the Sixteenth Century: A Study of Its Marked Individuality Coupled with a Dependence upon Contemporary Secular and Sacred Musical Style and Form. Ph.D. dissertation, Union Theological Seminary.

Duerksen, Rosella R. 1962. Dutch Anabaptist Hymnody of the Sixteenth Century. In A Legacy of Faith, edited by Cornelius J. Dyck, 103-19. Newton, Kansas: Faith and Life Press.

Duffield, Samuel Willoughby. 1886. English Hymns: Their Authors and History. New York: Funk & Wagnalls.

Durnbaugh, Hedwig T. 1991. Geistreiches Gesang-Buch, 1720--The First Brethren Hymnal. The Hymn 42:20-23.

Dwight, Henry Otis. 1916. The Centennial History of the American Bible Society. New York: The Macmillan Company.

Dwight, John Sullivan. 1838. Music as a Branch of Popular Education. Boston Musical Gazette 1(May 16):9-11.

Dwight, John Sullivan. 1881. The History of Music in Boston. In The Memorial History of Boston, Vol. 4, edited by Justin Winsor, 415-64. Boston: James R. Osgood and Co.

Dwight, John Sullivan. 1882. Our Dark Age in Music. Atlantic Monthly 50(December):813-23.

Dyen, Doris J. 1977. The Role of Shape-Note Singing in the Musical Culture of Black Communities in Southeast Alabama. Ph.D. thesis, University of Illinois.

Dyen, Doris J. 1979a. Oral and Written Transmission in Shape-Note Singing Among Blacks in Alabama. Paper presented at the Symposium on Rural Hymnody, Berea College, Berea, Kentucky, April 27-29, 1979. Housed at the Archives of the Hutchins Library, Berea College.

Dyen, Doris J. 1979b. Review of The Sacred Harp: A Tradition and its Music, by Buell E. Cobb, Jr. (Athens University of Georgia Press, 1978). MLA (Music Library Association) Notes 35:885-6.

Dyen, Doris J. 1982. New Directions in Sacred Harp Singing. In Folk Music and Modern Sound, edited by William Ferris, and M. L. Hart. Jackson: University of Mississippi Press.

Dyen, Doris J. 1987. Review of All That Is Native and Fine, by David E. Whisnant (Chapel Hill, North Carolina University of North Carolina Press, 1984). Ethnomusicology 31(2):365-7.