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C., R. W. 1947. A Disciple of Isaac Watts. Notes and
Queries 192:475.
Cagle, Mary Lou. 1986. A Tribute to Doris DeLong.
National Sacred Harp Newsletter 1(April).
Caldwell, A. B. 1907-12. Anthony Johnson Showalter. In
Men of Mark in Georgia, edited by W. J. Northern. Atlanta. Reprinted in
1974.
Callahan, N. 1983. Sing Like a Harp.
Americana 11(2):12.
Campbell, Duncan. 1898. Hymns and Hymn
Makers. London.
Campbell, Jane. 1926. Old Philadelphia
Music. Philadelphia: City History Society.
Candler, Warren Akin. 1904. Great Revivals and the
Great Republic. Nashville and Dallas: Methodist Episcopal Church, South.
Carapetyan, Leon. 1958. John Playford and His "Introduction
to the Skill of Musik". M.A. thesis, North Texas University.
Card, Edith B. 1957. The Development of the American Hymn
Tune: 1800-1850. M. Mus. Ed. thesis, Florida State University.
Card, Edith B. 1976a. "Saints Bound for Heaven": The
Singing School Lives On. Southern Quarterly 15(1):75-87.
Card, Edith B. 1976b. William Walker's Music Then and Now:
A Study of Performance Style. Doctoral dissertation, Florida State University.
Card, Edith B. 1982. The Tradition of Shaped-note Music: A
History of its Development. In Foxfire, edited by Paul F. Gillespie, 280-92.
Garden City, New York: Doubleday.
Carlson, Joyce Mangler. See also: Mangler, Joyce Ellen.
Carlson, Joyce Mangler. 1964. Early Music in Rhode Island.
Rhode Island History 23(April):35-50.
Carmer, Carl. 1928. The Sacred Harp Singers. Yale
Review 18:204-207.
Carmer, Carl. 1930. The Sacred Harp. Theatre Arts
Monthly 14:849-56.
Carmer, Carl. 1934. All-day Singing. In Stars Fell on
Alabama, 49-57. New York: Farrar and Rinehart.
Carnes, Jim. 1989. White Sacred Harp Singing. In
Alabama Folklife: Collected Essays, edited by Stephen H. Martin, 45-51.
Birmingham: Alabama Folklife Association.
Carpenter, Edmund J. 1897. The Bay Psalm Book.
New England Magazine 15:575-84.
Carr, Bruce A. 1967. The Dying Christian: A Study of the
Musical Settings of Pope's Ode as They Appeared in Selected Early American Tunebooks.
Master's thesis, State University of New York at Buffalo.
Carson, Bobby Joe. 1973. A Study of The Social
Harp by John G. McCurry. M.C.M. thesis, Southern Baptist Theological
Seminary.
Cartwright, Peter. 1856. Autobiography of Peter
Cartwright, the Backwoods Preacher. Cincinnati: Cranston and Curtis.
Caskey, Marie. 1978. Chariot of Fire: Religion and the
Beecher Family. New Haven: Yale University Press.
Caswell, Austin B. 1977. Social and Moral Music: The Hymn.
In Music in American Society: From Puritan Hymn to Synthesizer, edited by
George McCue. New Brunswick, New Jersey: Transaction.
Cauthen, Joyce. 1995a. Shape-Note Gospel Singing on Sand
Mountain. In In the Spirit: Alabama's Sacred Music Traditions, edited by
Henry Willett, 81-84. Montgomery, Alabama: Black Belt Press.
Cauthen, Joyce. 1995b. Singing "Dr. Watts": A Venerable
Hymn Tradition Among African Americans in Alabama. In In the Spirit: Alabama's
Sacred Music Traditions, edited by Henry Willett, 30-39. Montgomery, Alabama:
Black Belt Press.
Cazden, Norman. 1971. A Simplified Mode Classification for
Traditional Anglo-American Song Tunes. Yearbook of the International Folk Music
Council 3:45-78.
Chappell, P. 1968. Music and Worship in the Anglican
Church. London.
Chase, Gilbert. 1955a. America's Music: From the
Pilgrims to the Present. 1st edition. New York: McGraw Hill.
Chase, Gilbert. 1955b. America's Musical History.
Music Educators Journal 41(5):25ff.
Chase, Gilbert, ed. 1966. The American Composer
Speaks (A Historical Anthology, 1770-1965). Baton Rouge: Louisiana State
University Press.
Chase, Gilbert. 1977. Review of A Cultural History of
the American Revolution: Painting, Music, Literature, and Theatre in the Colonies and the
United States from the Treaty of Paris to the Inauguration of George Washington, 1763-
1789, by Kenneth Silverman (New York Crowell, 1976). Music Library
Association Notes 33(4):817-19.
Chase, Gilbert. 1987. America's Music: From the
Pilgrims to the Present. Urbana: University of Illinois Press.
Cheek, Curtis L. 1964. The Singing School in America:
Backgrounds. The Hymn 15:5-11.
Cheek, Curtis L. 1967. The Singing School and Shape-Note
Tradition: Residuals in Twentieth-Century American Hymnody. DMA dissertation, University
of Southern California.
Cheney, Paul. 1879a. Biographies of Forty Tune-Book
Compilers. In The American Singing Book. Boston: White, Smith and
Co.
Cheney, Simeon Pease. 1879b. The American Singing
Book. . Reprint. New York: Da Capo Press, 1980.
Cheney, Simeon Pease. 1879c. Brother Cheney's
Collection of Old Folks' Concert Music. Boston: White, Smith and Co.
Chmaj, Betty E. 1985. Fry versus Dwight: American Music's
Debate over Nationality. American Music 3(1):63-84.
Christenson, Donald Edwin. 1988. Music of the Shakers from
Union Village, Ohio: A Repertory Study and Tune Index of the Manuscripts Originating in the
1840's. Ph.D. dissertation, Ohio State University.
Christmas, F. E. 1948. The Religion of Isaac Watts.
British Weekly (November 25).
Chronological History. 1988. Chronological History of "The
Sacred Harp". National Sacred Harp Newsletter 3(March).
Citizen of the Month. 1986a. Citizen of the Month: Milburn
O. Kelley. National Sacred Harp Newsletter 1(March).
Citizen of the Month. 1986b. Citizen of the Month: Tom and
Annie Harper. National Sacred Harp Newsletter 1(April).
Citizen of the Month. 1987. Citizen of the Month: Dewey
President Williams. National Sacred Harp Newsletter 2(January). [Date
incorrectly printed on issue as "1986"].
Citizen of the Month. 1988a. Citizen of the Month: Burl
Adams. National Sacred Harp Newsletter 4(October).
Citizen of the Month. 1988b. Citizen of the Month: Curtis K.
Owen. National Sacred Harp Newsletter 4(July).
Citizen of the Month. 1988c. Citizen of the Month: Ezra C.
Bowen. National Sacred Harp Newsletter 4(September).
Citizen of the Month. 1988d. Citizen of the Month: Hamilton
Ballinger. National Sacred Harp Newsletter 4(August).
Claghorn, Charles Eugene. 1984. Women Composers
and Hymnists: A Concise Biographical Dictionary. Metuchen, New Jersey:
Scarecrow Press.
Clapper, Gregory S. 1989. John Wesley on Religious
Affecttions: His Views on Experience and Emotion and Their Role in the Christian Life and
Theology. Metuchen: Scarecrow Press.
Clarence, D. 1958. Christmas carols of Peakland.
Derbyshire Countryside 23(1):26-7.
Clark, Frances E. 1926. From Buckwheat Notes to the
Symphonic Poem. Musician 31(5):16, 38.
Clarke, George Herbert. 1948. Christ and the English Poets.
Queen's Quarterly 55:292-307.
Clarke, H. F. 1874. Hymns of Isaac Watts.
Congregational Quarterly 16:408.
Clarkson, Atelia, and W. Lynwood Montell. 1975. Letters to a
Bluegrass DJ: Social Documents of Southern White Migrants in Southeastern Michigan 1964-
1974. Southern Folklore Quarterly 39(3):219-35.
Cleveland, Catherine. 1916. The Great Revival in the
West, 1797-1805. Chicago: University of Chicago Press.
Cobb, Buell E., Jr. 1968. The Sacred Harp of the South: A
Study of Origins, Practices, and Present Implications. Louisiana Studies
7(Summer):107-21.
Cobb, Buell E., Jr. 1969. The Sacred Harp: An Overview of a
Tradition. M.A. thesis, Auburn University.
Cobb, Buell E., Jr. 1974. The Sacred Harp: Rhythm and
Ritual in the Southland. Virginia Quarterly Review .
Cobb, Buell E., Jr. 1977. Fasola Folk: Sacred Harp Singing in
the South. Southern Exposure 5(2/3):48-53.
Cobb, Buell E., Jr. 1978. The Sacred Harp: A Tradition
and its Music. Athens: University of Georgia Press.
Cobb, Buell E., Jr. 1979. Liner notes to Word of Mouth
Chorus, Rivers of Delight: American Folk Hymns from the Sacred Harp
Tradition. New York: Nonesuch Records, H-71360.
Cobb, Buell E., Jr. 1995. Sand Mountain's Wootten Family:
Sacred Harp Singers. In In the Spirit: Alabama's Sacred Music Traditions,
edited by Henry Willett, 40-49. Montgomery, Alabama: Black Belt Press.
Coelho, Dennis. 1979. Liner notes. Yonder Come Day:
Note Singing and Spirituals from South Georgia. Front Porch Records 79-001.
Cogdell, Jacqueline Delores. See also: DjeDje, Cogdell
Jacqueline.
Cogdell, Jacqueline Delores. 1972. An Analytical Study of the
Similarities and Differences in the American Black Spiritual and Gospel Song from the South-
East Region of Georgia. M.A. thesis, University of California at Los Angeles.
Colchester Institute, ed. 1997. Aspects of Georgian
Psalmody: Papers from the International Conference Organised by the Colchester Institute,
August, 1995. Ketton: SG Publishing/Anglia Polytechnic Institute.
Colligan, J. Hay. 1915. Eighteenth Century Nonconformity. .
London.
Collins, L. M. 1945. Review of Down-East Spirituals
and Others, by George Pullen Jackson (New York J. J. Augustin, 1939).
Journal of American Folklore 58:262-63.
Collins, Willie. 1988. Moaning and Prayer: A Musical and
Contextual Analysis of Chants to Accompany Prayer in Two Afro-American Baptist Churches
in Southeast Alabama. Ph.D. dissertation, University of Californa, Los Angeles.
Collins, Willie. 1995. The Moan-and-Prayer Event in African-
American Worship. In In the Spirit: Alabama's Sacred Music Traditions,
edited by Henry Willett, 22-30. Montgomery, Alabama: Black Belt Press.
Colonial Dames of America. 1926-47. Church Music
and Musical Life in Pennsylvania in the Eighteenth Century. Philadelphia: National
Society of the Colonial Dames of America. 3 vols. in 4.
Commanger, Henry Steele. 1962. Foreward. In
McGuffey's Fifth Eclectic Reader. New York: Signet Classics.
Compton, B., ed. 1995. Music for Country Choirs: A
West Gallery Anthology. Huntingdon: King's Music.
Condit, Lester. 1946. Editions of Little and Smith's Easy
Instructor. Papers of the Bibliographic Society of America 40:233-236.
Conkin, Paul K. 1988. The Southern
Agrarians. Knoxville: University of Tennessee Press.
Conkin, Paul K. 1990. Cane Ridge: America's
Pentecost. Madison.
Cook, Harold E. 1947. Shaker Music: A Manifestation of
American Folk Culture. Ph.D. dissertation, Western Reserve University.
Cook, Harold E. 1973. Shaker Music: A Manifestation
of American Folk Culture. Lewisburg: Bucknell University Press.
Cook, Helen Rawson. 1941. The Bay Psalm Book and Its
Setting. M.S.M. thesis, Union Theological Seminary.
Cooke, Nym. 1986. Itinerant Yankee Singing Masters in the
Eighteenth Century. In Itinerancy in New England and New York. Boston:
Boston University.
Cooke, Nym. 1990. American Psalmodists in Contact and
Collaboration. Ph.D. dissertation, University of Michigan.
Cooke, Nym. 1991. William Billings in the District of Maine,
1780. American Music 9(2):243-59.
Coombs, R. D., and P. Coombs, ed. 1984. Journal of
a Somerset Rector, 1803-1834. London: Oxford University Press.
Coomer, Duncan. 1946. English Dissent under the
Early Hanovarians. London.
Cooper, Mary I. 1937. The Career of Rev. Lyman Beecher in
Cincinnati. M.A. thesis, Ohio State University.
Cornett, Elwood. 1997. Old Regular Baptists. In notes to
Old Regular Baptists: Lined-Out Hymnody from Southeastern Kentucky.
Sung by members of the Indian Bottom Association, Old Regular Baptists, at Defeated Creek
Church, Linefork, Kentucky, August 20, 1992, and June 10, 1993. Recorded by Jeff Todd
Titon. Washington, D.C.: Smithsonian Folkways Recordings SF CD 40106.
Cornwall, N. E. 1851. Music: As It Was, and As It
Is. New York: D. Appleton and Co.
Correll, Ernst. 1930. The Value of Hymns for Mennonite
History. Mennonite Quarterly Review 4(July):215-19.
Cotton, John. 1647. The Singing of Psalmes a Gospel
Ordinance. London.
Cousland, K. H. 1948. Significance of Isaac Watts in the
Development of Hymnody. Church History 17(December):287-98.
Covey, Cyclone. 1951. Puritanism and Music in Colonial
America. William and Mary Quarterly 8(3rd ser.):378-88.
Covey, Cyclone. 1958. Did Puritanism or the Frontier Cause
the Decline of Colonial Music. Journal of Research in Music Education 6:68-
78.
Cowell, Sidney R. 1943. White Spirituals. Modern
Music 21:10-15.
Cowell, Sidney R. 1955. The "Shaped-Note Singers" and
Their Music. Score and I.M.A. Magazine 12:9-14.
Cowell, Sidney R. 1967. Early American Spirituals.
American Recorder 8(1):10-11.
Cox, Norman Wade, ed. 1958. Encyclopedia of
Southern Baptists. Nashville: Broadman Press.
Craig, Raymond A. 1996. Polishing God's Altar: Puritan
Poetics in John Cotton's Singing of Psalms. Studies in Puritan
American Spirituality 5.
Crawford, James Leroy. 1970. The Hymns in Isaiah 40-66: A
Study of Their Language, Motifs, Forms, and Relation to the Psalms, and to the Context of
the Prophecy. Ph.D. dissertation, Southwestern Baptist Theological Seminary.
Crawford, Richard. 1965. Andrew Law and the American
Musical Tradition. Ph.D. dissertation, University of Michigan.
Crawford, Richard. 1968. Andrew Law, American
Psalmodist. Evanston: Northwestern University Press. Reprint. New York: Da
Capo Press, 1981.
Crawford, Richard. 1969. Review of American
Psalmody, by Frank J. Metcalf. Notes 26(1):42-43.
Crawford, Richard. 1971a. Connecticut Sacred Music
Imprints, 1778-1810. MLA Notes 27:445-52, 671-79.
Crawford, Richard. 1971b. Some Reflections on American
Song. American Music Teacher 21(2):20-23.
Crawford, Richard. 1972. Review of Jacob Edkhard's
Choirmaster's Book of 1809 (Columbia University of South Carolina Press, 1971).
Journal of the American Musicological Society 25(2):255-58.
Crawford, Richard. 1974. Preface. In Urania: A
Choice Collection of Psalm-Tunes, Anthems, and Hymns, by J. Lyon. New York:
Da Capo Press.
Crawford, Richard. 1975a. American Studies and
American Musicology: A Point of View and a Case in Point. I.S.A.M. Monographs,
No. 4. Brooklyn: Institute for Studies in American Music.
Crawford, Richard. 1975b. A Hardening of the Categories:
"Vernacular," "Cultivated," and "Reactionary" in American Psalmody. In American
Studies and American Musicology: A Point of View and a Case in Point, 16-32.
Brooklyn: Institute for Studies in American Music. I.S.A.M. Monographs, No. 4.
Crawford, Richard. 1976a. American Music Around 1776.
Musical Newsletter 6(2):3-8.
Crawford, Richard. 1976b. Liner notes to The Birth of
Liberty: Music of the American Revolution. New World Records NW-276.
Crawford, Richard. 1976c. The Moravians and Eighteenth-
Century American Musical Mainstreams. Moravian Music Foundation
Bulletin 21(2):2-7.
Crawford, Richard. 1976d. Watts for Singing: Metrical Poetry
in Sacred Tunebooks, 1761-1785. Early American Literature 11(Fall):139-
46.
Crawford, Richard. 1977. Review of A Bibliography
of Songsters Printed in America Before 1821, by Irving Lowens. Fontes
Artis Musicae 24(4):1154.
Crawford, Richard. 1978a. Liner notes to Make a
Joyful Noise: Mainstreams and Backwaters of American Psalmody (1770-1840). New
World Records NW-255.
Crawford, Richard. 1978b. Liner notes to Music of the
Federal Era. New World Records NW-299.
Crawford, Richard. 1979. A Historian's Introduction to Early
American Music. Proceedings of the American Antiquarian Society
89(2):261-98.
Crawford, Richard. 1980a. American Origins of American
Music: Social and Religious Considerations. Annals of Scholarship: Metastudies of
the Humanities and Social Sciences 1(1):73-82.
Crawford, Richard. 1980b. A Historian's Introduction
to Early American Music. Worcester: American Antiquarian Society.
Crawford, Richard. 1981a. Introduction. In Hallelujah,
Amen! The Story of the Handel and Haydn Society of Boston, by H. Earle Johnson.
New York: Da Capo Press.
Crawford, Richard. 1981b. Review of The Music of
the English Parish Church, by Nicholas Temperley. The Hymn
32(April):115-17.
Crawford, Richard. 1983. Musical Learning in Nineteenth-
Century America. American Music 1(1):1-11.
Crawford, Richard. 1984a. American Music and Its Two
Written Traditions. Fontes Artis Musicae 31(1):79-84.
Crawford, Richard. 1984b. The Core Repertory of
Early American Psalmody. Recent Researches in American Music, Vol. 11-12.
Madison, Wisconsin: A-R Editions.
Crawford, Richard. 1984c. Introduction. In A History
of the Old Folks' Concerts, by Father Robert Kemp. New York: Da Capo.
Crawford, Richard. 1984d. "Much Still Remains to Be
Undone": Reformers of Early American Hymnody. The Hymn 35(4):204-8.
Crawford, Richard. 1984e. Obituary for Irving Lowens.
Proceedings of the American Antiquarian Society 94(1):40-44.
Crawford, Richard. 1985a. Massachusetts Musicians and the
Core Repertory of Early American Psalmody. In Music in Colonial Massachusetts,
Vol. 2: Music in Homes and Churches, edited by Barbara Lambert, 583-629. Boston:
Colonial Society of Massachusetts.
Crawford, Richard. 1985b. Studying American
Music. ISAM Special Publications. Brooklyn: Institute for Studies in American
Music. Reprint. Institute for Studies in American Music Newsletter 14(2):1-
2, 10-13.
Crawford, Richard. 1986. On Two Traditions of Black Music
Research. Black Music Research Journal :1-9.
Crawford, Richard. 1988. Review of An American
Music: the Search for an American Musical Identity, by Barbara Tischler (New York
Oxford University Press, 1986). 6:93-96.
Crawford, Richard. 1990a. "Ancient Music" and the
Europeanizing of American Psalmody, 1800-1810. In A Celebration of American
Music: Words and Music in Honor of H. Wiley Hitchcock, edited by Richard
Crawford. Ann Arbor: University of Michigan Press.
Crawford, Richard, ed. 1990b. A Celebration of
American Music: Words and Music in Honor of H. Wiley Hitchcock. Ann Arbor:
University of Michigan Press.
Crawford, Richard. 1990c. H. Wiley Hitchcock and American
Music. In A Celebration of American Music: Words and Music in Honor of H. Wiley
Hitchcock, 3-9. Ann Arbor: University of Michigan Press.
Crawford, Richard. 1993. The American Musical
Landscape. Berkeley: University of California.
Crawford, Richard, and H. Wiley Hitchcock. 1961.
The Papers of Andrew Law in the William L. Clements Library. Clements
Library, Bulletin 68. Ann Arbor: University of Michigan.
Crawford, Richard, and D. W. Krummel. 1983. Early
American Music Printing and Publishing. In Printing and Society in Early
America, edited by William L. Joyce, et. al. Worcester, Massachusetts: American
Antiquarian Society.
Crawford, Richard, and David P. McKay. 1973. The
Performance of William Billings' Music. Journal of Research in Music
Education 21(4):318-30.
Crews, Emma Katherine. 1960. Early Musical Activities in
Knoxville, Tennessee, 1791-1861. East Tennessee Historical Society's
Publications 32:3-17.
Crews, Emma Katherine. 1961. A History of Music in
Knoxville, Tennessee: 1791-1910. Ph.D. dissertation, Florida State University.
Crews, Emma Katherine. 1962. Early Musical Activities in
Knoxville, Tennessee, 1891-1910. East Tennessee Historical Society's
Publications 34:58-85.
Crews, Emma Katherine. 1965. Early Musical Activities in
Knoxville, Tennessee, 1891-1910. East Tennessee Historical Society's
Publications 37:49-76.
Cross, Virginia Ann. 1985. The Development of Sunday
School Hymnody in the United States of America, 1816-1869. D.M.A. thesis, New Orleans
Baptist Theological Seminary.
Crouse, D. L. 1972. The Work of Allen D. Carden and
Associates in the Shape-Note Tune-Books, The Missouri Harmony,
Western Harmony, and United States Harmony. Doctoral
dissertation, Southern Baptist Theological Seminary.
Crouse, D. L. 1980. Allen D. Carden: Early Tennessee
Musician. Tennessee Historical Quarterly 39(1):11-15.
Crutchfield, Mary Elizabeth. 1946. The White Spiritual.
S.M.M. thesis, Union Theological Seminary.
Cubberly, Elwood P. 1920. Contributions of Pestalozzi. In
The History of Education. Boston: Houghton Mifflin.
Cuming, Fortescue. 1966. Sketches of a Tour to the
Western Country through the States of Ohio and Kentucky. Early Western Travels,
Vol. IV. New York: AMS Press.
Cunningham, Charles E. 1942. Timothy Dwight, 1752-
1817: A Biography. New York.
Curwen, John Spencer. 1875. Teacher's Manual of the
Tonic Sol-Fa Method. 4th edition. London: J. Curwen and Sons.
Curwen, John Spencer. 1880-1885. Studies in Worship
Music. London. 1st and 2nd series.
Cusic, Don. 1990. The Sound of Light: A History of
Gospel Music. Bowling Green, Ohio: Bowling Green State University Popular Press.