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Saal, Hubert, and Joseph B. Cumming, Jr. 1978. Sacred
Singout. Newsweek (November 20).
Sabin, Robert. 1938. Early American Composers and Critics.
Musical Quarterly 24(April):210-18.
Sabol, Steven. 1993-. Sacred Harp and Shape-Note
Music: Resources. Bethesda, Maryland: The Author.
Sachse, Friedrich Julius. 1899-1900. The German
Sectarians of Pennsylvania, 1742-1800. Philadelphia: The Author.
Sachse, Friedrich Julius. 1903. The Music of the
Ephrata Cloister. Lancaster, Pennsylvania: The Author.
Sacred Harp Journal. 1987. Sacred Harp Journal (Reprint of
first number, published August, 1931, Mineral Wells, Texas). National Sacred Harp
Newsletter 2(March-July).
Saillant, John. 1997. Hymnody and the Persistence of an
African-American Faith in Sierre Leone. The Hymn 48(1):8-17.
Salisbury, Dorothy C. 1965. Our American Christmas Carols.
Daughters of the American Revolution Magazine 99(940-41, 1032).
Salter, Sumner. 1932. Early Encouragements to American
Composers. Musical Quarterly 17(January):76f.
Salzman, L. F. 1920. Little Busy Watts. Cornhill
Magazine (London) 122(October):472-78. Reprint. Living Age
307(November 13, 1920):425-27.
Sampson, George. 1948. Isaac Watts, 1647-1748. The
Spectator (November 19).
Sanders, Robert L. 1961. Notes on the Tune "Albion".
The Hymn 12(3):81-82.
Sandford, Gordon. 1968. A Sermon on Music from 1771.
Colorado Journal of Research in Music Education 4:4-5.
Sands, Mollie. 1942. The Singing Master in 18th Century
England. Music and Letters 23(January):69-80.
Sanville, George W. 1945. Forty Gospel Hymn
Stories. Winona Lake, Indiana: Rodeheaver-Hall Mack Co.
Sasson, Dianne Hyde. 1978. 'The Stone': Versions of a Camp
Meeting Song Collected in North Carolina. Southern Folklore Quarterly
42:375-384.
Satcher, Herbert B. 1949. Music of the Episcopal Church in
Pennsylvania in the Eighteenth Century. Historical Magazine of the Protestant
Episcopal Church 18:372-413.
Scanlon, Mary B. 1940. Lowell Mason in Music Education.
M.A. thesis, Eastman School of Music, University of Rochester.
Scanlon, Mary B. 1942. Lowell Mason's Philosophy of Music
Education. Music Educators Journal 28(January):24-25, 70.
Scanlon, Mary B. 1946. Thomas Hastings. Musical
Quarterly 32(2):265-277.
Schmalz, Robert Frederick. 1966. A Survey of German
Musical Influence on the American Singing-School Tradition (1865-1890), Gathered through
the Examination of Selected Volumes Contained within the Hymnological Collection of the
Pittsburgh Theological Seminary. Master's thesis, University of Pittsburgh.
Schmidt, G. Perle. 1965. The Singing School Movement in the
United States. Church Musician 16(6):18-20.
Schmidt, Martin. 1962, 1966. John Wesley, A
Theological Biography. Translated by Norman Goldhawk. 2 vol. Nashville:
Abingdon Press.
Schmotter, James. 1975. Ministerial Careers in
Eighteenth-Century New England: The Social Context, 1700-1760. Journal of Social
History 9:256-58.
Schneider, A. Gregory. 1993. The Way of the Cross
Leads Home: The Domestication of American Methodism. Bloomington: Indiana
University Press.
Scholes, Percy A. 1933. The Truth about the New England
Puritans and Music. Musical Quarterly 19(January):1-17.
Scholes, Percy A. 1934. The Puritans and Music in
England and New England: A Contribution to the Cultural History of Two Nations.
London: Oxford University Press.
Scholes, Percy A. 1943a. Hymns and Hymn Tunes (Including
Metrical Psalms). In Oxford Companion to Music. New York: Oxford
University Press.
Scholes, Percy A. 1943b. Lancaschire Sol-Fa. In The
Oxford Companion to Music. 8th edition. London: Oxford University Press.
Scholten, James W. 1972. The Chapins: A Study of Men and
Sacred Music West of the Alleghenies, 1795-1842. Ed.D. dissertation, University of
Michigan.
Scholten, James W. 1975. Amzi Chapin: Frontier Singing
Master and Folk Hymn Composer. Journal of Research in Music Education
(Summer).
Scholten, James W. 1976. Lucius Chapin: A New England
Singing Master on the Frontier. Contributions to Music Education
4(4):64-76.
Scholten, James W. 1980a. Review of The Sacred
Harp: A Tradition and its Music, by Buell E. Cobb Jr. (Athens University of Georgia
Press, 1978). The Hymn 31:71-2.
Scholten, James W. 1980b. The Tunebook That Roars: The
Sound and Style of Sacred Harp Singing. Music Educators Journal
66(6):32-37, 74-77.
Scholten, James W. 1980c. William Walker's Christian
Harmony in Alabama: A Study of the Tunebook and its Traditions. Unpublished,
Ohio University.
Schrader, Arthur. 1989. "Wilks," "No. 45," and Mr. Billings.
American Music 7(4):412-29.
Schreiber, William I. 1962. The Hymns of the Amish Ausbund
in Philological and Literary Perspective. Mennonite Quarterly Review
36(January):36-60.
Schultz, Patricia Bowers. 1984. A Comparison of the
Traditional Welsh Gymanfa Ganu With Contemporary Local American Practices. DMA
dissertation, University of Missouri-Kansas City.
Scott, Joseph Dennie. 1987. The Tunebooks of William Hauser
(The Hesperian Harp, The Olive Leaf). D.M.A. thesis, New
Orleans Baptist Theological Seminary.
Sears, E. H. 1861. History of the Oxford Singing-School.
Monthly Religious Magazine 25(January):12-27.
Seeger, Charles. 1940. Contrapuntal Style in the Three-Voice
Shape-Note Hymns. Musical Quarterly 26:483-493. Reprint.
American Choral Review 18/4(1976):66-80.
Seeger, Charles. 1952. Preface. In Another Sheaf of
White Spirituals, by George Pullen Jackson, vii-viii. Gainesville: University of
Florida Press.
Seeger, Charles. 1955. Folk Music, U.S.A. In Grove's
Dictionary of Music and Musicians. 5th edition. New York: St. Martin's
Press.
Seeger, Charles. 1957. Music and Class Structure in the
United States. American Quarterly 9:281-94.
Sermons of Watts. 1804. Sermons of Isaac Watts.
Christian Observer 12:719.
Seroff, Doug. 1980. . Birmingham Quartet
Scrapbook: A Quartet Reunion in Jefferson County. Program booklet for
performance at Birmingham City Auditorium, October 12, 1980.
Seroff, Doug. 1990. The Original Fisk Jubilee Singers and the
Spiritual Tradition, I: The Age of Minstrelsy. Keskidee 2:4-9, 21.
Seroff, Doug. 1995. Community and the Jefferson County,
Alabama, Gospel Quartet Tradition. In In the Spirit: Alabama's Sacred Music
Traditions, edited by Henry Willett, 89-100. Montgomery, Alabama: Black Belt
Press.
Sessions, Kyle Cutler. 1963. Luther's Hymns in the Spread of
the Reformation. Ph.D. dissertation, Ohio State University.
Seton, Bernard E. 1984. Our Heritage of Hymns: A
Swift Survey. Berrien Springs, Mich.: Andrews University Press.
Seward, Theodore F. 1872. Jubilee Songs As Sung by
the Jubilee Singers of Fisk University. New York: Bigelow and Main.
Seybolt, Robert Francis. 1925. The Evening School in
Colonial America. Bureau of Educational Research, Bulletin No. 24. Urbana:
College of Education, University of Illinois.
Seybolt, Robert Francis. 1935. The Public Schools of
Colonial Boston (1635-1775). Cambridge: Harvard University Press.
Seymour, A. C. H. 1844. The Life and Times of
Selina, Countess of Huntingdon. London: William Edward Painter.
Sharp, H. B. 1961. Church Band, Dumb Organist, and Organ.
Galpin Society Journal 14:37-40.
Shave, Eric C. L. 1948. Isaac Watts.
London: Independent Press.
Shaw, Liz. 1986. The Christian Harmony Master: Quay
Smathers. National Sacred Harp Newsletter 1(February).
Sheffield, Lynn. 1989. In Memory of J. T. Pruitt.
National Sacred Harp Newsletter 4(February).
Shepherd, T. B. 1934. Children's Verse of Dr. Watts and
Charles Wesley. London Quarterly and Holborn Review 164(April):173-84.
Sherman, Elna. 1948. Ravenscroft's Psalter, 1621, and Its
Place in the Early New England Scene. Bulletin of the American Musicological
Society 11-13(September):32-34.
Shipton, Clifford. 1933-37. The New England Clergy of the
"Glacial Age". Publications of the Colonial Society of Massachusetts,
Transactions 32:24-54.
Short, H. Lismer. 1951. From Watts to Martineau: A Century
of Unitarian Hymn Books in England. Transactions of the Unitarian Historical
Society 10:6-18.
Shotwell, John B. 1902. A History of the Public Schools
of Cincinnati. Cincinnati: The School Life Co.
Shotwell, Joyce M. 1976. The Origin of the Gospel Hymn and
Its Development in the Nineteenth Century. Master's thesis, Baylor University.
Shurden, Walter B. 1967. Associationalism Among Baptists in
America, 1707-1814. Doctor of Theology dissertation, New Orleans Baptist Theological
Seminary.
Siltman, Bobby Lawrence. 1963. The Three-Voice
Folk-Hymns of William Walker from Southern Harmony. M.M. thesis,
Hardin-Simmons University.
Silveri, Louis D. 1988. The Singing Tour of the Fisk Jubilee
Singers: 1871-1874. In Feel the Spirit: Studies in Nineteenth-Century Afro-American
Music, edited by George R. Keck, and Sherrill V. Martin, 105-16. Westport,
Connecticut: Greenwood Press.
Simpich, F. 1931. Smoke Over Alabama. National
Geographic Magazine 60(6):703-38.
Simpson, E. K. 1949. Isaac Watts: A Rounded Life.
Evangelical Quarterly 21:190-202.
Sims, John N. 1960. The Hymnody of the Camp-Meeting
Tradition. D.S.M. dissertation, Union Theological Seminary.
Singer, David. 1968. God and Man in Baptist Hymnals.
Mid-Continent American Studies Journal 9(2):14-26.
Singin' Billy's Book. 1939. Singin' Billy's Book.
Time (June 12):67.
Singing School. 1944. The Singing School. Missouri
Historical Review 38(1944):325-30.
Singing School Master. 1851. The Singing School Master.
Message Bird 37:609.
Sizer, Sandra S. 1978. Gospel Hymns and Social
Religion: The Rhetoric of Nineteenth-Century Revivalism. Philadelphia: Temple
University Press.
Skidmore, Max J. 1966. Hymns in the Life of the Confederate
Soldier. Mississippi Quarterly 19:194-99.
Sluder, Claude K. 1977. The Ketchum Tune-Book: Examples
of 18th-Century Hymnody in Indiana. Current Musicology 23(2):79-89.
Smith, Carl Henry. 1987. The Lined Hymn Tradition in
Selected Black Churches of Eastern Kentucky. Doctoral dissertation, University of
Pittsburgh.
Smith, Carleton Sprague. 1948. The 1774 Psalm Book of the
Reformed Protestant Dutch Church in New York City. Musical Quarterly
34(January):84-96.
Smith, Carlton Y. 1956. Early Lutheran Hymnody in America.
Ph.D. dissertation, University of Southern California.
Smith, James G. 1975. Da Capo [Firsthand Descriptions of
Singing-Schools]. Choral Journal 16(November):25-26.
Smith, S. E. Boyd. 1993. The Effective Countess: Lady
Huntingdon and the 1780 edition of A Select Collection of Hymns.
The Hymn 44(3):26-32.
Smith, Timothy Alan. 1981. The Southern Folk-Hymn,
1802-1860: A History and Musical Analysis, with Notes on Performance Practice. Ph.D.
dissertation, California State University, Fullerton.
Smith, Timothy Alan. 1983. The Southern Folk-Hymn,
1800-1860: Notes on Performance Practice. Choral Journal 23(7):23-29.
Smith, Timothy Alan. 1988. A Taxonomy of Pitch
Formations, and an Implication-Realization Analysis of Folk-Hymn Melodies from the
Repository of Sacred Music, Part Second, Kentucky
Harmony, Southern Harmony, and Sacred Harp.
DMA thesis, University of Oregon.
Smith, Timothy L. 1957. Revivalism and Social Reform
in Mid-Nineteenth-Century America. New York: Abingdon Press.
Smith, Timothy L. 1967. Protestant Schooling and American
Nationality, 1800-1850. Journal of American History 53:679-95.
Smity, Mary L. 1986. Jackson Wiley Hicks. National
Sacred Harp Newsletter 2(October).
Snyder, Perry A. 1976. A Note on Sacred Harp Singing.
Mid-South Folklore 4:35-36.
Soifer, Joseph Harry. 1951. The Folk Spirit in Contemporary
American Music and Its Use in Music Education. M.Mus.Ed. thesis, Hartt College of Music,
University of Hartford.
Sonneck, Oscar George. 1905a. A Bibliography of Early
Secular American Music. Washington: Library of Congress, Music Division.
Revised and enlarged by William Treat Upton, 1945. Reprint. New York: Da Capo Press,
1964.
Sonneck, Oscar George. 1905b. "Francis Hopkinson,
the First American Poet-Composer (1737-1791)" and "James Lyon, Patriot, Preacher,
Psalmodist (1735-1794)". Washington, D.C.: H. L. McQueen. Reprint. New York:
DaCapo Press, 1976.
Sonneck, Oscar George. 1907. Early Concert-Life in
America, 1731-1800. Leipzig. Reprint. New York: Musurgia, 1949.
Sonneck, Oscar George. 1921. The History of Music in
America. In Miscellaneous Studies in the History of Music. Reprint. New
York: AMS Press, 1970.
Sonneck, Oscar George. 1969. Suum crique: Essays in
Music. Freeport, New York: Books for Libraries Press.
Sonneck, Oscar George. 1983. Oscar Sonneck and
American Music. Urbana: University of Illinois Press. Edited for the Sonneck
Society by William Lichtenwanger.
Sonneck, Oscar G. n.d. Francis Hopkinson and James
Lyon. Washington: H. L. McQueen. Reprint. New York: Da Capo Press,
1967.
Southern, Eileen. 1972. An Origin for the Negro Spiritual.
The Black Scholar 3(10):8-13. Reprint. Errol Hill, ed., The Theater
of Black Americans: A Collection of Critical Essays (New York: Applause, 1983),
89-98.
Southern, Eileen. 1986-87. Hymnals of the Black Church.
Journal of the Interdenominational Theological Seminary 14(1-2).
Southey, Charles Culbert. n.d.-a. The Life of
Cowper. . With notes by S. T. Coleridge.
Southey, Charles Culbert. n.d.-b. The Life of Wesley,
and Rise & Progress of Methodism. . With notes by S. T. Coleridge.
Sparrow, John. 1966. George Herbert and John Donne among
the Moravians. In Hymns Unbidden: Donne, Herbert, Blake, Emily Dickinson, and
the Hymnographers, edited by Martha Winburn England, 1-30. New York: New
York Public Library.
Spell, Lota May. 1919. A History of Musical Education in the
United States. M.A. thesis, University of Texas at Austin.
Spell, Lota May. 1922. The First Teacher of European Music
in America. Catholic Historical Review 2 n.s.(October):372-78.
Spell, Lota May. 1927. Music Teaching in New Mexico in the
Seventeenth Century: The Beginnings of Music Education in the United States. New
Mexico Historical Review 2(January):27-36. Reprinted as book. Santa Fe, New
Mexico: El Palacio Press, 1927.
Spell, Lota May. 1929. The First Music-Books Printed in
America. Musical Quarterly 15(January):50-54.
Spencer, Claude E. 1949-50. The Campbell Hymn Book.
Discipliana 8(January, 1949):47-48, 9(April, 1949):3-4, 9(July, 1949):15-16, 9(October,
1949):31-32, 9(January, 1950):43-45.
Spencer, John H. 1885. A History of Kentucky Baptists,
from 1769 to 1885, Including More than 800 Biographical Sketches. Cincinnati.
Spencer, Jon Michael. 1990. The Hymnody of the African
Methodist Episcopal Church. American Music 8(3):274-293.
Spencer, L. H. 1966. The Sacred Harp and Shape-Note
Tradition: An Encounter and Discussion. Unpublished paper, cited in Kelton 1985.
Spiess, Lincoln B. 1964. Benavides and Church Music in New
Mexico in the Early 17th Century. Journal of the American Musicological
Society 17:144-56.
Spiess, Lincoln B. 1965. Church Music in
Seventeenth-Century New Mexico. New Mexico Historical Review 40:5-21.
Sponseller, Amos Nevin. 1941. The Origin and Development of
Public School Music in Pennsylvania. Ed.D. dissertation, Temple University.
Stainer, John. 1900. On the Musical Introductions Found in
Certain Metrical Psalters. Proceedings of the (Royal) Musical Association
27(November 13):1-50.
Stanislaw, Richard J. 1976. Choral Performance Practice in
the Four-Shape Literature of American Frontier Singing Schools. Doctoral dissertation,
University of Illinois at Urbana-Champaign.
Stanislaw, Richard J. 1978a. A Checklist of Four-Shape
Shape-Note Tunebooks. Brooklyn: Institute for Studies in American Music, Brooklyn
College of the City University of New York.
Stanislaw, Richard J. 1978b. The Part Assignments in
Nineteenth-Century Four-Shape Note Books. Choral Journal 18(6):14-21.
Stanley, D. H. 1982. The Gospel-Singing Convention in South
Georgia. Journal of American Folklore 95:1-32.
Stansbury, Arthur Joseph. 1835. Trial of the Rev.
Lyman Beecher, D.D., Before the Presbytery of Cincinnati, on the Charge of Heresy.
New York: New York Observer.
Stanton, Charles Kenny. 1975. Henry E. Meyer and American
Folk Hymnody. M.C.M. thesis, Southwestern Baptist Theological Seminary.
Starbird, George M. n.d. The Adaptation of the Baptist
Associational Movement in America to its Environment. M.S.S. thesis, University of
Chicago.
Steel, David Warren. 1976. Truman S. Wetmore (1774-1861):
Connecticut Psalmodist. M.A. thesis, University of Michigan.
Steel, David Warren. 1980a. Sacred Music in Early
Winchester. Connecticut Historical Society Bulletin 45(April):33-44.
Steel, David Warren. 1980b. Truman S. Wetmore and His
'Republican Harmony'. Connecticut Historical Society Bulletin
45(July):75-89.
Steel, David Warren. 1981. Secular Shape-Note Songsters.
Paper presented to the Society for Ethnomusicology, Southeast and Caribbean Chapter,
Tallahassee, Florida.
Steel, David Warren. 1982. Stephen Jenks (1772-1855):
American Composer and Tunebook Compiler (New England). Ph.D. dissertation, University
of Michigan.
Steel, David Warren. 1983. Sacred Harp Singers: A Musical
Subculture. Paper presented to the American Folklore Society, Nashville, Tennessee.
Steel, David Warren. 1984. Review of Folksongs of
the Catskills (Albany State University of New York, . Journal of
Musicological Research 5(1-3):260-64.
Steel, David Warren. 1985. Lazarus J. Jones (1816-1897):
Mississippi's First Folksong Collector. Paper presented to the Society for Ethnomusicology,
Southeast and Caribbean Chapter, and to the Mississippi Folklore Society, Biloxi, Mississippi.
Steel, David Warren. 1987. Men of Rough Exteriors: The
Biographies of Southern Tunebook Compilers. Paper presented to the Sonneck Society,
Pittsburgh.
Steel, David Warren. 1988a. John Wyeth and the Development
of Southern Folk Hymnody. In Music from the Middle Ages through the Twentieth
Century: Essays in Honor of Gwynn S. McPeek, 357-374. New York: Gordon and
Breach.
Steel, David Warren. 1988b. Lazarus J. Jones and The
Southern Minstrel (1849). American Music 6(2):123-157.
Steel, David Warren. 1988c. Sacred Harp Singing Today: A
Cultural Geography. Lecture presented to the Church Music Symposium, Mercer University,
Atlanta.
Steel, David Warren. 1989a. Creolization and European
Elements in the Afro-American Traditional Chorus. Paper presented to the Conference on
Contemporary Black American Congregational Song and Worship Traditions, Smithsonian
Institution.
Steel, David Warren. 1989b. Review of The Southern
Harmony and Musical Companion, by William Walker.
Ethnomusicology 33(2):343-345.
Steel, David Warren. 1990a. Review of Deborah C. Loftis,
"Big Singing Day in Benton, Kentucky: A Study of the History, Ethnic Identity and Musical
Style of Southern Harmony Singers" (Ph.D. dissertation, University of Kentucky, 1987)
Southern Baptist Church Music Journal 7(1990):76-78.
Steel, David Warren. 1990b. Review of Mai Hogan Kelton,
"Analysis of the Music Curriculum of Sacred Harp (American Tune-book, 1971 Edition) and
its Continuing Traditions" (Ed.D. dissertation, University of Alabama, 1985) Council
for Research in Music Education Bulletin 103(Winter):39-43.
Steel, David Warren. 1994. Stephen Jenks and Psalmody in the
Middle States. Lecture and workshop presented to the New York State Sacred Harp Singing
Convention, Ithaca.
Steel, David Warren. 1996a. Herman Mann of Dedham, Music
Printer. Paper presented to the Sonneck Society, Washington, D.C.
Steel, David Warren. 1996b. Review of Wiregrass Sacred
Harp Singers, The Colored Sacred Harp. Notes by Barbara L. Hampton.
(Recorded Anthology of American Music, New World Records NW 80433-2, 1993).
American Music.
Steel, David Warren. 1996c. The Sacred Harp Singing
Tradition in Mississippi. Paper presented to the Mississippi Historical Society, Tupelo.
Steel, David Warren. 1997. Early Shape-Note Singing in the
Shenandoah Valley. Lecture presented to the Singers Glen Music and Heritage Festival,
Singers Glen, Virginia, 1997.
Steel, David Warren, and Richard Crawford. 1979. Review of
The Sacred Harp: A Tradition and its Music, by Buell E. Cobb Jr. (Athens
University of Georgia Press, 1979). American Historical Review
84:1154.
Steele, Annie K. 1916. The Music of Our South.
Etude 34:263-64.
Steese, Peter B. 1963. Dennis's Influence on Watts' "Preface"
to Horae Lyricae. Philological Quarterly 42(April):275-77.
Stegall, Joel R. 1978. Shape Notes and Choral Singing: Did
We Throw Out the Baby with the Bath Water? Choral Journal 19(2):5-10.
Steimle, A. 1905. Church Music in the Lutheran Church of
America. New Music Review 4:109ff.
Steinberg, Judith T. 1973. Old Folks Concerts and the Revival
of New England Psalmody. Musical Quarterly 59:602-19.
Stephenson, William Eaton. 1963. The Heroic Hymn of Isaac
Watts. Ph.D. dissertation, University of California, Berkeley.
Stevens, Harry R. 1943. The Haydn Society of Cincinnati,
1819-1824. Ohio State Archaeological and Historical Quarterly 52:95-119.
Stevens, Harry R. 1947a. Adventure in Refinement: Early
Concert Life in Cincinnati, 1810-1826. Bulletin of the Historical and Philosophical
Society of Ohio 5(3):8-22.
Stevens, Harry R. 1947b. Further Adventure in Refinement:
Early Concert Life in Cincinnati. Bulletin of the Historical and Philosophical Society
of Ohio 5(4):22-32.
Stevens, Harry R. 1948. Folk Music on the Midwestern
Frontier, 1788-1825. Ohio State Archeological and Historical Quarterly
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Stevens, Harry R. 1952. New Foundations: Cincinnati Concert
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Stevenson, Arthur Linwood. 1931. The Story of Southern
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Stevenson, Robert M. 1948. Watts in America: Bicentenary
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Stevenson, Robert M. 1949. Dr. Watts' "Flights of fancy".
Harvard Theological Review 42(4):235-53.
Stevenson, Robert M. 1950. John Wesley's First Hymnbook.
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Stevenson, Robert M. 1950-51. Ira D. Sankey and "Gospel
Hymnody". Religion in Life 20:81-88.
Stevenson, Robert M. 1953. Patterns of Protestant
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Stevenson, Robert M. 1966. Protestant Church Music in
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Stevenson, Robert M. 1974. Protestant Music in America. In
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Stevenson, Robert M. 1977-78. American Musical
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Stevenson, Robert M. 1978a. Bradbury in Europe.
The Hymn 29(July):147-51.
Stevenson, Robert M. 1978b. Jeremiah Clarke Hymn Tunes in
Colonial America. The Hymn 29(1):15-18.
Stevenson, Robert M. 1979. The Eighteenth-Century Hymn
Tune. International Music Review 2(1):1-33.
Stevenson, Robert M. 1980. The Eighteenth-Century Hymn
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Stewart, John. 1872. Highways and Hedges; or, Fifty
Years of Western Methodism. Cincinnati: Hitchcock and Walden.
Stewart, Roger Dean. 1967. The Contributions of Edmund S.
Lorenz to American Chruch Music. M.C.M. thesis, Southwestern Baptist Theological
Seminary.
Stewart, Thomas H. 1980. Psalms, Hymns, and Spritual
Songs: Geneses of Gospel Song Poems. Tennessee Folklore Society Bulletin
46:68-72.
Stigberg, David Kenneth. 1970. Congregational Psalmody in
Eighteenth Century New England: An Analytical Study of the Psalm-Tune Collections of John
Tufts and Thomas Walter. M.A. thesis, University of Illinois.
Stimpfle, Jerry. 1972. They Sing of a Heaven
(film). Oxford: Motion Picture Production, University of Mississippi.
Stone, James H. 1957. Mid-Nineteenth Century American
Beliefs in the Social Value of Music. Musical Quarterly 43(January):38-49.
Stone, Michael K. 1976. Heav'n Rescued Land: American
Hymns and American Destiny. Journal of Popular Culture 10:133-41.
Stone, Wilbur Macey. 1918. The Divine and Moral
Songs of Isaac Watts. New York: The Triptych (private printing).
Stone, W. M. 1941. New England Primer and Watts' Divine
Songs. Horn Book 17(May):217-29.
Stopp, Jacklin Bolton. 1985. A. N. Johnson.
American Music 3(2):152-70.
Stoutamire, Albert L. 1960. A History of Music in Richmond,
Virginia, from 1742 to 1865. Ed.D. dissertation, Florida State University.
Stoutamire, Albert L. 1963. Musical Life in Late
Eighteenth-Century Richmond. Journal of Research in Music Education
11:99-109.
Stoutamire, Albert L. 1972. The Music Conventions. In
Music of the Old South, 216-18. Rutherford, New Jersey: Fairleigh
Dickinson University Press.
Strickling, George F. 1954. The Bay Psalm Book.
Choral and Organ Guide 7(1):25-26.
Strongin, Ted. 1959. The Sacred Songs Roll Like Thunder.
Chattanooga Times (September 20). Reprint. Chicago Sacred Harp
Newsletter 6(August, 1990).
Strunk, Oliver. 1937. Early Music Publishing in the United
States. Papers of the Bibliographical Society of America 31.
Strunk, Oliver. 1950. Source Readings in Music
History. New York: Norton.
Struss, Janet Sue. 1978. River Symbolism in the American
Gospel Song. M.A. thesis, University of Pittsburgh.
Stuart, Angela. 1970. That Part of Publick Worship Called
Singing. Yankee 34(12):110ff.
Sunderman, Lloyd Frederick. 1939. A History of Public School
Music in the United States (1830-1890). Ph.D. dissertation, University of Minnesota.
Sunderman, Lloyd Frederick. 1941a. The Advent of Method in
Music Education. Education 61(May):555-561.
Sunderman, Lloyd Frederick. 1941b. The Beginnings of
Singing in America. Journal of Musicology 3(Fall):101-19.
Sunderman, Lloyd Frederick. 1941c. Early Methods of
Popularizing Music Education. Journal of Musicology 2(Summer):60-66.
Sunderman, Lloyd Frederick. 1941d. The First Champion of
American Public School Music. Journal of Musicology 3(Winter):173-78.
Sunderman, Lloyd Frederick. 1941e. History of Public School
Music in the United States, 1830-1890. Educational Record
22(April):205-11.
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