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Hackett, Lucile E. 1996. Johann Conrad Beissel: Early
German American Mystic and Musician. Studies in Puritan American
Spirituality 5.
Hall, Bonlyn G. 1988. The American Education of Luther
Whiting Mason. American Music 6(1):65-73.
Hall, Jacob H. 1914. Biography of Gospel Song and
Hymn Writers. New York: Fleming H. Revell.
Hall, James William, Jr. 1968. The Tune-Book in American
Culture, 1800-1822. Ph.D. dissertation, University of Pennsylvania.
Hall, Mrs. Samuel Carter. 1859. Residence of Isaac Watts.
National Magazine 8:394.
Hall, Paul M. 1970a. The "Musical Million": A Study
and Analysis of the Periodical Promoting Music Reading Through Shape-notes in North
America from 1870 to 1914. Washington, D.C: P.M. Hall.
Hall, Paul M. 1970b. The "Musical Million": A Study and
Analysis of the Periodical Promoting Music Reading Through Shape-Notes in North America
from 1870 To 1914. Doctoral dissertation, Catholic University of America.
Hall, Paul M. 1971. The Shape-note Hymnals and Tune Books
of Ruebush-Kieffer Company. The Hymn 22(3):69-76.
Hall, Roland. 1963. Some New Seventeenth Century Words
and Antedatings. Notes and Queries 10:59-61.
Hall, Roger L. 1975. Shaker Hymnody: An American
Communal Tradition. Journal of Church Music 17(8):2-6. Reprint.
The Hymn 27/1(1976):22-29.
Hall, Thomas Cuming. 1959. The Religious Background
of American Culture. New York: Frederick Ungar Publishing Company.
Hambrick-Stowe, Charles E. 1982. The Singing of Psalms. In
The Practice of Piety: Puritan Devotional Discipline in Seventeenth-Century New
England, 111-16. Chapel Hill: University of North Carolina Press.
Hamm, Charles. 1956. Folk Hymns of the Shenandoah Valley.
Virginia Cavalcade 6(2):14-19.
Hamm, Charles. 1958. Patent Notes in Cincinnati.
Bulletin of the Historical and Philosophical Society of Ohio 16:293-310.
Hamm, Charles. 1960. The Chapins and the Sacred Music in
the South and West. Journal of Research in Music Education 8:91-98.
Hamm, Charles. 1983. Music in the New
World. New York: Norton.
Hammond, Paul G. 1969. A Study of The Christian
Minstrel (1846) by Jesse B. Aikin. Master's thesis, Southern Baptist Theological
Seminary.
Hammond, Paul G. 1974. Music in Urban Revivalism in the
Northern United States, 1800-1835. D.M.A. dissertation, Southern Baptist Theological
Seminary.
Hammond, Paul G. 1985. Jesse B. Aikin and The Christian
Minstrel. American Music 3(4):442-51.
Hammond, R. Paul. 1978. The Hymnody of the Second Great
Awakening. The Hymn 29:19-28.
Hampton, Barbara L. 1993. Notes to Wiregrass Sacred Harp
Singers, The Colored Sacred Harp. Recorded Anthology of American Music.
New World Records NW 80433-2.
Hamrick, Raymond. 1986a. The Composer's Debt to
Shape-Notes. National Sacred Harp Newsletter 2(November).
Hamrick, Raymond. 1986b. The Pitcher's Role in Sacred Harp
Music. National Sacred Harp Newsletter 1(January).
Handy, Robert T. 1977. Crusading for an American Protestant
Commonwealth (1800-60). In A History of the Churches in the United States and
Canada. New York: Oxford University Press.
Handy, Robert T. 1984. A Christian America:
Protestant Hopes and Historical Realities. 2nd edition. New York: Oxford
University Press.
Hanson, Kenneth C. 1951. The Hymnology and the Hymnals
of the Restoration Movement. B.D. thesis, Christian Theological Seminary.
Harazsti, Zoltan. 1956. The Enigma of the Bay Psalm
Book. Chicago: University of Chicago Press.
Hardaway, Lisa Carol. 1989. Sacred Harp Traditions in Texas.
M.M. thesis, Rice University.
Harding, Elizabeth. 1966. Isaac Watts and his Lyrical Hours.
London Quarterly and Holborn Review 191:126-134.
Harding, Vincent. 1991. A Certain Magnificance:
Lyman Beecher and the Transformation of American Protestantism, 1775-1863.
Brooklyn: Carlson Publishing.
Harlan, Lowell. 1979. Theology of Eighteenth Century
English Hymns. Historical Magazine of the Protestant Episcopal Church
48(June):167-193.
Harley, Rachel Augusta Brett. 1972. Ananias Davisson:
Southern Tune-Book Compiler. Ph.D. dissertation, University of Michigan.
Harms, John K. 1977-78. Music of the Radical Reformation.
Church Music 77(No. 2, 1977):48-57, 78(No. 1, 1978):19-41.
Harper, Francis, and Delma Presley. 1981. Okefinokee
Album. Athens: University of Georgia Press.
Harper, Glen. 1980. The Present State of Sacred Harp and its
Tradition in Winston County of North Alabama and its Influence on Contemporary Music
Education. Unpublished typescript, housed at Gorgas Library, University of Alabama.
Harris, Billie Joe. 1991. Citizen of the Month: Mrs. Berta
Tant. National Sacred Harp Newsletter 7(June/July).
Harris, Clement Atrobus. 1918. The War Between the Fixed
and Movable Doh. Musical Quarterly 4(2):184-195.
Harris, David G. T. 1939. Musical Education in Tudor Times.
Proceedings of the Musical Association 65(April 27):109-139.
Hartford, Lincoln. 1982. A Good Tune: A Dissertation on the
Phenomenon of Welsh Hymn Singing as it Demonstrates the Inherent Relationship of Worship
and the Arts. Th.D. dissertation, Chicago Theological Seminary.
Hartley, Kenneth R. 1967. Bibliography of Theses and
Dissertations in Sacred Music. Detroit Studies in Music Bibliography, Vol. 9.
Detroit: Information Coordinators.
Hartley, Lodwick. 1949. The Worm and the Thorn: A Study
of Cowper's Olney Hymns. Journal of Religion 29:220-29.
Harvey, Paul William. 1992. Southern Baptists and Southern
Culture, 1865-1920. Ph.D. dissertation, University of California, Berkeley.
Hastings, Thomas. 1822. Dissertation on Musical Taste;
or, General Principles of Taste Applied to the Art of Music. 1st edition. . Reprint.
New York: Da Capo Press, 1974.
Hastings, Thomas, ed. 1824-33. Western
Recorder. Utica, New York.
Hastings, Thomas. 1843. Psalm Books. New York
Observer, September 30.
Hastings, Thomas. 1848. Church Music. New
Englander (424-31).
Hastings, Thomas. 1849. Music in Worship. New
Englander 7:357-69.
Hastings, Thomas. 1854. History of Forty
Choirs. New York: Mason Brothers.
Hatch, Nathan O. 1989. The Democratization of
American Christianity. New Haven: Yale University Press.
Hatchett, Marion J. 1991. Three Little-Known West Tennessee
Four-Shape Shape-Note Tunebooks. The Hymn 42:10-16.
Hatchett, Marion J. 1995. Early East Tennessee Shape-Note
Tunebooks. The Hymn 46(3):28-46.
Hawkins, John. 1776. General History of the Science
and Practice of Music. London: Payner and Sons.
Hays, L. W. 1947. The Poetry of Isaac Watts in His Imitation
of the Psalms. London Quarterly and Holborn Review 172:334-40.
Haywood, Charles. 1953. Review of Another Sheaf of
White Spirituals, by George Pullen Jackson (Gainesville University of Florida Press,
1952). Journal of American Folklore 66:276-78.
Heafford, Michael. 1967. Pestalozzi: His Thought and
Its Relevance Today. London: Methuen.
Heard, Priscilla S. 1975. American Music, 1698-1800:
An Annotated Bibliography. Waco: Baylor University Press.
Heaton, Charles H. 1956. The Disciples of Christ and Sacred
Music. S.M.D. dissertation, Union Theological Seminary.
Heber, A. 1830. The Life of Reginald Heber, Lord
Bishop of Calcutta, by his Widow. London. 2 vol.
Hehr, Milton G. 1963. Musical Activities in Salem,
Massachusetts: 1783-1823. Ph.D. dissertation, Boston University.
Heidorn, Lucy Marie. 1988. Citizen of the Month: Marie
Creel Aldridge. National Sacred Harp Newsletter 3(January).
Heintze, James R. 1984. American Music Studies: A
Classified Bibliography of Master's Theses. Detroit: Information Coordinators.
Heintze, James R. 1990. American Music Before 1865
In Print and On Records: A Biblio-Discography. Brooklyn: Institute for Studies in
American Music.
Heliodore Pokorny, Mary. 1952. Lowell Mason's Contribution
to the Field of Music Education in America. Master's thesis, DePaul University.
Hemenway, F. D., and Charles M. Stuart. 1891.
Gospel Singers and Their Songs. New York: Hunt and Eaton.
Henry, George W. 1853. Trials and Triumphs (for half
a century) in the Life of G. W. Henry. 2nd edition. New York: The Author.
Henry, Stuart C. 1973. Unvanquished Puritan: A
Portrait of Lyman Beecher. Grand Rapids: William B. Eerdmans.
Henry, Thomas L. 1966. The Singing School at the Ephrata
Cloister. Keystone Folklore Quarterly 11:203-6.
Herbert, Trevor. 1991. From "Repeat and Twiddle" to
"Precision and Snap": The Musical Revolution in the Mid-Nineteenth Century. In
Bands: The Brass Band Movement in the 19th and 20th Centuries, edited by
Trevor Herbert. Milton Keynes, England, and Philadelphia: Open University Press.
Herman, Janet. 1992. Seekin' the Old Path and Walkin'
Therein': The California Sacred Harp Singing Convention and Its Impact on Three First-Time
Participants. Presented at the meetings of the American Folklore Society, Jacksonville,
Florida, October 15-18.
Herman, Janet. 1997. Sacred Harp Singing in California:
Genre, Performance, Feeling. Ph.D. dissertation, University of California at Los
Angeles.
Herndon, Mrs. W. H. 1935. When I Survey the Wondrous
Cross. Etude 53(October):613.
Herzel, Catherine, and Frank B. Herzel. 1946. To
Thee We Sing. Philadelphia: Mulenberg Press.
Herzog, George. 1935. Review of White Spirituals of
the Southern Uplands, by George Pullen Jackson (Chapel Hill University of North
Carolina Press, 1933). Journal of American Folklore 48:394-97.
Heth, Charlotte. 1992. Cherokee Hymn Singing in Oklahoma.
Festival of American Folklife :95-97.
Hickerson, Joseph C. 1979. A List of Shape-Note
Hymnals Currently in Print. Washington: Library of Congress, Archive of Folk
Song.
Hickman, Charles Leroy. 1950. Andrew Law: Intellectual
Musician. M.S.M thesis, Union Theological Seminary.
Hicks, Roger Wayne. 1997. The First Southern Methodist
Hymn Book. The Hymn 48(4):32-35.
Higgins, H. 1903. Dr. Isaac Watts. Sunday Magazine
(London) 34:438.
Higginson, J. Vincent. 1967. Notes on Lowell Mason's Hymn
Tunes. The Hymn 18(2):37-42.
Higginson, J. Vincent. 1969. Issac B. Woodbury (1819-1858).
The Hymn 20:74-80.
Hightower, Raymond Lee. 1934. Joshua L. Wilson,
Frontier Controversialist. Chicago: University of Chicago Libraries.
Hill, Double E. 1963. A Study of Tastes in American Church
Music as Reflected in the Music of the Methodist Episcopal Church to 1900. Ph.D.
dissertation, University of Illinois.
Hillinger, Charles. 1989. Four Tones of Traditional Song.
National Sacred Harp Newsletter 4(February). From the Los Angeles
Times, December 25, 1988.
Hinton, Sam. 1973. The Shape-Note Hymns: An American
Choral Tradition. Choral Journal 13(5):7-11.
History of Baptists in Georgia. 1881. History of the
Baptist Denomination in Georgia. Atlanta.
Hitchcock, A. P. 1882. Hymns and Hymn-Tinkers.
Atlantic Monthly 49:336-46.
Hitchcock, H. Wiley. 1966. William Billings and the Yankee
Tunesmiths. Hi-Fi/Stereo Review 16(February):55-65.
Hitchcock, H. Wiley. 1969. Music in the United
States: a Historical Introduction. Prentice-Hall History of Music. Englewood Cliffs,
N.J.: Prentice-Hall.
Hitchcock, H. Wiley. 1974. Music in the United
States: a Historical Introduction. 2nd Edition edition. Englewood Cliffs, N.J.:
Prentice-Hall.
Hitchcock, H. Wiley. 1975. Sources for the Study of
American Music. American Studes International 14(2):3-9.
Hitchcock, H. Wiley, panel chairman. 1981. Recent Research
on American Musical Traditions. In IMS Report, Berkeley 1977, 353-82.
Kassel: Barenreiter.
Hitchcock, H. Wiley. n.d. Nationalism and Anti-nationalism in
American Music Histories. In Papers of the Yugoslav-American Seminar on
Music, 199-208.
Hitchcock, H. Wiley, and Stanley Sadie, ed. 1986. The
New Grove Dictionary of American Music. New York: Grove's Dictionaries of
Music.
Hixon, Donald L. 1970. Music in Early America: A
Bibliography of Music in Evans. Metuchen, New Jersey.
Hoagland, C. C. 1990. The Alto in Sacred Harp (Response to
John Quincy Wolf). National Sacred Harp Newsletter 5(March).
Hobbs, John Marion. 1955. Development of Singing Schools.
Master's thesis, Northeast Missouri State University.
Hobsbawm, E. J. 1965. Primitive Rebels: Studies in
Archaic Forms of Social Movement in the 19th and 20th Centuries. New York:
Praeger.
Hoffman, Elizabeth. 1992. Full, Conscious and Active
Singing. Liturgy 90 (October):8-9. Issued by the Office of Divine Worship,
Archdiocese of Chicago.
Holcombe, Hosea. 1840. A History of the Rise and
Progress of the Baptists in Alabama. Philadelphia.
Holifield, E. Brooks. 1978. The Gentlemen Theologians:
American Theology in Southern Culture, 1795-1860. Durham: Duke University
Press.
Holland, Harold E. 1979. The Hymnody of the Churches of
Christ. The Hymn 30:263-268.
Hollander, Goldye. 1941. The Life and Works of Dr. Lowell
Mason, the Father of Public School Music. M.S. thesis, Texas A & I University.
Holman, Peter. 1996. Psalmody and "Psalmody".
Early Music Review 25(November):6-7.
Homage to Watts. 1927. Homage to Dr. Watts. The
Nation 124:280.
Hood, Edwin Paxton. 1875. Isaac Watts: His Life and
Writings, His Homes and Friends. London: Religious Tract Society.
Hood, George. 1846. A History of Music in New
England: with Biographical Sketches of Reformers and Psalmists. Boston: Gould and
Lincoln.
Hooper, William Lloyd. 1963. Church Music in
Transition. Nashville: Broadman Press.
Hooper, William Lloyd. 1964. Hymn Singing Comes to the
New World: The Story of Baptist Hymnody in Colonial America. Church
Musician 15(3):10-12.
Hope, Evelyn P. 1848. Isaac Watts.
Fortnightly 170(December 1):405-6. (Alternative reference:
Fortnightly 164:400-406).
Hope, Norman Victor. 1947. Issac Watts and his Contribution to
English Hymnody. In Papers of the Hymn Society of America, Vol. 8.
N.Y.: Hymn Society of America.
Horder, W. Garrett. 1890. The Hymn Lover: An
Account of the Rise and Growth of English Hymnody. London: J. Curwen and Sons.
Horn, Dorothy D. 1941. Shape-Note Hymnals and the
Art-Music of Early America. Southern Folklore Quarterly 5(4):251-56.
Horn, Dorothy D. 1942. Shape-Note Hymnals and the Art
Music of Early America. Master's thesis, Eastman School of Music, University of
Rochester.
Horn, Dorothy D. 1945. Dyadic Harmony in the Sacred Harp.
Southern Folklore Quarterly 9:209-12.
Horn, Dorothy D. 1953. A Study of the Folk-Hymns of
Southeastern America. Ph.D. dissertation, University of Rochester.
Horn, Dorothy D. 1954. The Four Syllable System of
Solmization. Southern Folklore Quarterly 18:135-38.
Horn, Dorothy D. 1956. Folk-Hymn Texts in Three 'Old
Harp' Books. Tennessee Folklore Society Bulletin 22(4):91-97.
Horn, Dorothy D. 1958. Quartal Harmony in the Pentatonic
Folk Hymns of the Sacred Harp. Journal of American Folklore 71:564-581.
Reprint. Sing to Me of Heaven, Chap. 8.
Horn, Dorothy D. 1960. Tune Detecting in 19th Century
Hymnals. Tennessee Folklore Society Bulletin 26(4):99-109.
Horn, Dorothy D. 1962. Music Our Ancestors Sang.
Church Musician 13(12):12-14.
Horn, Dorothy D. 1964. English Sources of American Folk
Hymns: Additions to the Jackson Lists. Southern Folklore Quarterly
28:222-27.
Horn, Dorothy D. 1970. Sing To Me Of Heaven: A
Study of Folk and Early American Materials in Three Old Harp Books. Gainesville:
University of Florida Press.
Horn, Dorothy D. 1976. Sacred Music of the Singing Schools.
Church Music 1:11-15.
Horn, Dorothy D. 1978. Introduction I: The New Harp
of Columbia and Its Music in Singing School Tradition. In The New Harp of
Columbia, edited by M. L. Swan. Knoxville: University of Tennessee Press.
Horn, Dorothy D. 1979. Jackson's White and Negro
Spirituals: Thirty Years Later. Paper presented at the Symposium on Rural Hymnody, Berea
College, Berea, Kentucky, April 27-29.
Horsley, A. Doyne. 1979. The Spatial Impact of White Gospel
Quartets in the U.S. JEMF Quarterly (John Edwards Memorial Foundation)
(Summer):91-98.
Hostetler, Lester. 1949. Handbook to the Mennonite
Hymnary. Newton, Kansas.
House, Myron. 1987. Harmony, Harmony, Harmony
(Tunebooks with "Harmony" in Title). National Sacred Harp Newsletter
2(January). [Date incorrectly printed in issue as "1986"].
House, Myron. 1988. The Use of The Sacred
Harp at Bethesda Church, Carroll, County, Georgia, at the Time of the Civil War.
National Sacred Harp Newsletter 3(April).
Howard, John Tasker. 1946. Our American Music:
Three Hundred Years of It. 3rd edition. New York: Thomas Y. Crowell Co.
Howe, Mabel Almy. 1917. Music Publishers in New
York City before 1850. New York: New York Public Library.
Hoyles, John. 1971. The Waning of the Renaissance,
1640-1740: Studies in the Thought and Poetry of Henry More, John Norris, and Isaac
Watts. The Hague: Martinus Nijhoff.
Hubbard, Charles M. 1949. Early New England Psalmody and
Its Effect on the Works of William Billings. M.A. thesis, Boston University.
Hubbard, W. L. 1908. American History and
Encyclopedia of Music. History of American Music, Vol. 8. New York: Irving
Squire.
Hudson, Arthur Palmer. 1945. Review of White and
Negro Spirituals: Their Life Span and Kinship, by George Pullen Jackson (New York
J. J. Augustin, 1943). Journal of American Folklore 58:59-62.
Hudson, Winthrop S. 1953. The Great Tradition of the
American Churches. New York: Harper and Brothers.
Hudson, Winthrop S. 1961. American
Protestantism. Chicago: University of Chicago Press.
Hudson, Winthrop S. 1981. Religion in
America. N.Y.: Charles Scribner's Sons.
Hughes, Rupert. 1900. American Composers.
Boston: The Page Co. Revised in 1914 by Authur Elson.
Hulan, Richard H. 1971. "Our Creed in Metre": The
Hymnology of the Restoration Movement to 1835. Master's thesis, Vanderbilt
University.
Hulan, Richard H. 1974. John Adam Granade: Wild Man of
Goose Creek. Western Folklore 33:77-87.
Hulan, Richard H. 1979a. Camp-Meeting Spiritual Folksongs:
Legacy of the "Great Revival in the West". Ph.D. dissertation, University of Texas at
Austin.
Hulan, Richard H. 1979b. Wyeth's Wellsprings. Paper
presented at the Symposium on Rural Hymnody, Berea College, Berea, Kentucky, April
27-29, 1979. Housed at the Archives of the Hutchins Library, Berea College.
Hulan, Richard H. 1984. The American Revolution in
Hymnody. Hymn 35(4):199-203.
Huntington, Peletiah W. 1905. Old-Time Music of Columbus,
Ohio. Old Northwest Genealogical Quarterly 8:136-40.
Hustvedt, S. B. 1945. Review of White and Negro
Spirituals: Their Life Span and Kinship, by George Pullen Jackson (New York J. J.
Augustin, 1943). California Folklore Quarterly 4:435-36.
Hutchings, A. 1967. Church Music in the Nineteenth
Century. London.
Hymn Society of America. 1991. An Interview with Hugh T.
McElrath. The Hymn 42:10-13.
Hymns of Isaac Watts. 1833. Hymns of Isaac Watts. Western
Monthly Review 1:95.