Author List: a

Abbey, C. J., and J. H. Overton. 1878. The English Church in the 18th Century. London.

Abbott, Jacob. 1835. The Village Choir. In New England and Her Institutions: By One of Her Sons, 301-393. London: R. B. Seeley and W. Burnside.

Abernethy, Francis. 1972. Singing All Day and Dinner on the Grounds. In Observations and Reflections on Texas Folklore, edited by Francis Abernethy, 131-140. Austin: Encino Press. Publications of the Texas Folklore Society, Vol. 37.

Adams, F. A. 1849. Congregational Singing. The New Englander 7(February):55-63. Review of Lowell Mason and George Webb, National Psalmist.

Adams, Mrs. Crosby. 1938. Studies in Hymnology. Nashville: Cokesbury Press.

Adams, Nelson F. 1973. The Musical Sources for John Wesley's Tunebooks: Genealogy of 148 Tunes. Ann Arbor: University Microfilms.

Addison, W. 1947. The English Country Parson. London.

Aderhold, Elder J. J. 1987. Citizen of the Month: Laura Beaird Aderhold. National Sacred Harp Newsletter 2(April).

Adey, Lionel. 1986. Hymns and the Christian "Myth". Vancouver: University of British Columbia Press.

Adey, Lionel. 1988. Class and Idol in the English Hymn. Vancouver: University of British Columbia Press.

Ahlstrom, Sydney E. 1972. A Religious History of the American People. New Haven: Yale University Press.

Albanese, Catherine L. 1981. Savage, Sinner, and Saved: Davy Crockett, Camp Meetings, and the Wild Frontier. American Quarterly 33:482-501.

Aldridge, Joan. 1988. Citizen of the Month: Robert Aldridge. National Sacred Harp Newsletter 3(April).

Allaire, G. G. 1982. The Theory of Hexachords, Solmisation, and the Modal System. Musicological Studies and Documents (MSD), Vol. 24. .

Allen, Elizabeth L. 1990. Tonic Sol-Fa: Its Role in Nineteenth Century Music Literacy in the United Kingdom. Ed.D. thesis, University of Alabama.

Allen, N. H. 1895-98. Old Time Music and Musicians. Connecticut Quarterly 1(1895):274-79; 2(1896):54-58, 153-57; 3(1897):66-76, 286-93; 4(1898):319-28.

Allen, Ray. 1988. African-American Sacred Quartet Singing in New York City. New York Folklore 14(3-4):7-22.

Allison, Junius. 1984. Orphan Character Notes in Appalachia. North Carolina Folklore Journal 32(2):82-90.

Allison, William Henry. 1910. Inventory of Unpublished Material for American Religious History in Protestant Church Archives and Other Repositories. Washington, D.C.: Carnegie Institution.

Allman, James Edwin. 1984. A Biblical Theology of the Hymns in the Book of Psalms (Enthronement, Reactualization, Praise). Th.D. dissertation, Dallas Theological Seminary.

Allwardt, A. Paul. 1950. Sacred Music in New York City: 1800-1850. Doctoral dissertation, Union Theological Seminary.

American Tract Society. 1831. An Address to Christians, Recommending the Distribution of Religious Tracts. In Source Book and Bibliographical Guide for American Church History, edited by Peter G. Mode, 383-84. Menasha, Wisconsin: George Banta, 1921.

Anderson, Fletcher Clark. 1978a. A History of Choral Music in Birmingham, Alabama. Ed.D. dissertation, University of Georgia.

Anderson, Gillian B. 1978b. Eighteenth-Century Evaluations of William Billings: A Reappraisal. Quarterly Journal of the Library of Congress 45:48-58.

Anderson, John David. 1961. The Sacred Harp: Certain Historical Considerations. M.M. thesis, University of Cincinnati, College Concervatory of Music.

Anderson, Rick. 1994. The Kentucky Harmonist: A Possible Source for Tunes Used in the Kentucky Revival, 1800-1805. M.M. thesis, University of Cincinnati.

Andrews, Edward D. 1937. Shaker Songs. Musical Quarterly 23(4).

Andrews, Edward D. 1940. The Gift to Be Simple: Songs, Dances and Rituals of the American Shakers. Locust Valley, New York: J. Augustin, Inc.

Apel, Willi. 1944. Fasola. In Harvard Dictionary of Music. Cambridge: Harvard University Press.

Apel, Willi. 1945. The Notation of Polyphonic Music 900-1600. Cambridge, Massachusetts: The Mediaeval Academy of America.

Appel, Richard G. 1970. J. S. Bach and the Bay Psalm Book. Bach 1(3):22-24.

Appel, Richard G. 1974. The Bay Psalm Book and Its Music. Consort 30:72-76.

Appel, Richard G. 1975. Music of the Bay Psalm Book, 9th Edition (1698). I.S.A.M. Monographs, No. 5. Brooklyn: Institute for Studies in American Music.

Arens, J. C. 1963. Sarbiewski's Ode against the Tears Imitated by Lovelace, Yalden, and Watts. Neophilologus (Groningen) 47:236-39.

Arndt, Karl J. R., and Richard D. Wetzel. 1971. Harmonist Music and Pittsburgh Musicians in Early Economy. Western Pennsylvania Historical Magazine 54:125-57, 284-311, 391-413.

Arnold, Richard. 1984. 'The Hidden Life' of Hymnody: William Cowper's Use of a Genre. In Tropic Crucible: Self and Theory in Language and Literature, edited by Ranjit Chatterjee, and Colin Nicholson, 271-296. Singapore: Singapore University Press.

Arnold, Richard. 1989. A 'Veil of Interposing Night': The Hymns of Anne Steele (1717-1778). Christian Scholar's Review 18:371-87.

Arnold, Richard. 1990. 'Those Damn Sacred Hymns': Some Problems with the Ontology of 'Text'. In Man and Nature: Proceedings of the Canadian Society for Eighteenth-Century Studies, edited by Hans-Gunther Schwarz, David McNeil, and Roland Bonnel, 57-67. Edmonton: Academic Printing and Publishing.

Arnold, Richard. 1991. English Hymns of the Eighteenth Century: An Anthology. New York: Peter Lang.

Arnold, Richard. 1995. The English Hymn: Studies in a Genre. New York: P. Lang.

Arrington, Elwyn Golden. 1969. Nationalism and American Music, 1790-1815. Ph.D. dissertation, University of Texas at Austin.

Asbury, Samuel E., and Henry E. Meyer. 1932. Old-Time White Camp-Meeting Spirituals. In Tone the Bell Easy, edited by J. Frank Dobie, 169-85. Austin: University of Texas Press. Publications of the Texas Folklore Society, Vol. 10.

Ashton, J. W. 1945. Review of The Story of the Sacred Harp, by George Pullen Jackson (Nashville Vanderbilt University Press, 1944). Journal of American Folklore 58:270.

Ask, Bertha C. 1930. Church Music in America from 1620 to 1800. S.M.M. thesis, Union Theological Seminary.

Atwell, Shirl J. 1976. A Musical Analysis of Fifteen Southern Folk Hymns. M.M. Thesis, University of Louisville.

Autobiographical Memoranda of Watts. 1832. Autobiographical Memoranda of Isaac Watts. Congregational Magazine 15:65.

Ayars, Christine Merrick. 1937. Contributions to the Art of Music in American by the Music Industries of Boston 1640 to 1936. New York: H. W. Wilson, Co.