Author List: w

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Wallenstein, Martin Albert. 1979. The Rhetoric of Isaac Watts's Hymns, Psalms, and Sermons. Ph.D. dissertation, Indiana University.

Wallhausser, John. 1997. Old Regular Baptist Traditions. In notes to Old Regular Baptists: Lined-Out Hymnody from Southeastern Kentucky. Sung by members of the Indian Bottom Association, Old Regular Baptists, at Defeated Creek Church, Linefork, Kentucky, August 20, 1992, and June 10, 1993. Recorded by Jeff Todd Titon. Washington, D.C.: Smithsonian Folkways Recordings SF CD 40106.

Ward, D. 1994. "Bright, Believing Bands". West Gallery 6(Spring).

Warrington, James A. 1898. Short Titles of Books Relating to or Illustrating the History and Practice of Psalmody in the United States: 1620-1820. Philadelphia.

Warrington, James A. 1912. A Bibliography of Church Music. Penn Germania 1:170-77, 262-68, 371-74, 460-65, 627-31, 755-59.

Waterman, Richard A. 1947. Review of American Folk Music for High School and Other Choral Groups, by George Pullen Jackson (Boston C. C. Birchard and Co., 1947). Journal of American Folklore 60:311.

Watson, Angus. 1946. The Spaciousness of Isaac Watts. The Christian World (November 21).

Watson, E. C. 1975. The Baptist Association. Nashville: Convention Press.

Watson, F. 1903. Isaac Watts as an Educationist. Gentleman's Magazine (London) 71:531.

Watson, Henry. 1907. The Article "Psalter" in Grove's Dictionary of Music and Musicians. Musical Times 48(September 1):596-97.

Watson, Jeffrey. n.d. Central Connecticut Music Up to 1835. Ph.D. dissertation, New York University.

Watters, P. S. 1968. Some Unfamiliar Hymns of Reginald Heber. The Hymn 19:118-24.

Watts, Isaac. 1821. Isaac Watts. Christian Disciple 3:190.

Watts, Isaac. 1857. Isaac Watts. North British Review 27:23.

Watts, Isaac. 1948. Isaac Watts. The Christian World (November 24).

Wayland, John W. 1911. Joseph Funk, Father of Song in Northern Virginia. The Pennsylvania German 12(10).

Weaver, Oliver C. 1968. Benjamin Lloyd: A Pioneer Primitive Baptist in Alabama. Alabama Review (April):144-155.

Webb, G. B. 1973. Timothy Swan: Yankee Tunesmith. doctoral dissertation, University of Illinois at Urbana-Champaign.

Webb, George Eliga. 1975. William Caldwell's Union Harmony (1837). M.C.M. thesis, Southern Baptist Theological Seminary.

Weber, Max. 1952. The Protestant Sects and the Spirit of Capitalism. In From Max Weber, edited by H. H. Gerth, and C. Wright Mills, 304-5. London: Routledge and Kegan Paul.

Weber, Max. 1958. The Protestant Ethic and the Spirit of Capitalism. Translated by Talcott Parsons. New York: Charles Scribner's Sons. Orig. 1904-5.

Weir, C. 1981. Village and Town Bands. Aylesbury: Shire Publications.

Weisberger, Bernard A. 1958. They Gathered at the River: The Story of The Great Revivalists and their Impact Upon Religion in America. Boston: Little, Brown.

Weiss, Joanne Grayeski. 1988. The Relationship Between the 'Great Awakening' and the Transition from Psalmody to Hymnody in the New England Colonies. DA dissertation, Ball State University.

Wentworth, Erastus. 1865. Methodists and Music. Methodist Quarterly Review 17:359-77.

Werner, Eric. 1959. The Sacred Bridge: The Interdependence of Liturgy and Music in Synagogue and Church During the First Millennium. New York: Columbia University Press.

Werner, Julia Stewart. 1984. The Primitive Methodist Connexion: Its Background and Early History. Madison: University of Wisconsin Press.

West, Edward N. 1945. History and Development of Music in the American Church. Historical Magazine of the Protestant Episcopal Church 14:22.

West, Edward N. 1947. The Music of Old Trinity. In Quarter of a Millennium: Trinity Church in the City of New York, 1697-1947, edited by Charley Clowes. Philadelphia: The Church Historical Society.

Westermeyer, Paul. 1978. What Shall We Sing in a Foreign Land? Theology and Cultic Song in the German Reformed and Lutheran Churches of Pennsylvania, 1830-1900. Ph.D. dissertation, University of Chicago.

Westermeyer, Paul. 1988a. The Church Musician. San Francisco: Harper and Row.

Westermeyer, Paul. 1988b. Religious Music and Hymnody. In Encyclopedia of American Religious Experience, edited by C. H. Libby, and Peter W. Williams, 1285-1305. New York: Schribner.

Westermeyer, Paul. 1996. Review of The Eighteenth-Century Hymn in England, by Donald Davie (New York Cambridge University Press, . Church History 64(4):635.

Wetzel, Richard D. 1967. Some Music Notation Systems in Early American Hymn-Tune Books. Keystone Folklore Quarterly 12(4).

Wetzel, Richard D. 1970. The Music of George Rapp's Harmony Society, 1805-1906. University of Pittsburgh.

Wetzel, Richard D. 1972. The Hymnody of George Rapp's Harmony Society. The Hymn 23(1):19-29.

Wetzel, Richard D. 1976. Frontier Musicians on the Connoquenessing, Wabash, and Ohio: A History of the Music and Musicians of George Rapp's Harmony Society (1805-1906). Athens: Ohio University Press.

What Is a Singing? 1987. What Is a Singing? National Sacred Harp Newsletter 2(May).

When It's Got You. 1985. When It's Got You, It's Got You. National Sacred Harp Newsletter 1(December).

Where Do Compilers. 1986. Where Do the Compilers Come From? National Sacred Harp Newsletter 2(1986).

Whipple, George M. 1886. A Sketch of the Musical Societies of Salem. Historical Collections of the Essex Institute 23(January-March):72-80, 113-33.

Whisnant, David E. 1983. Rise, King Jesus. In Perspectives on the American South: An Annual Review of Society, Politics and Culture, Vol. 2, edited by John Shelton Reed, and Merle Black, 139-66. Chapel Hill: University of North Carolina Press.

White, James C. 1882. Personal Reminiscences of Lyman Beecher. New York: Funk and Wagnalls.

White, Wallace. 1987. A Reporter At Large: The Big Singing. New Yorker (January 19).

Whitlock, E. Clyde. 1957. Fa-Sol-La...The Music of the Old South. American Guild of Organists Quarterly 2(July):113-17.

Wicks, Sammie Ann. 1983. Life and Meaning: Singing, Praying, and the Word among the Old Regular Baptists of Eastern Kentucky. Ph.D. dissertation, University of Texas at Austin.

Wicks, Sammie Ann. 1989. A Belated Salute to the 'Old Way' of 'Snakin' the Voice on its (ca.) 345th Birthday. Popular Music 8:59-96.

Wienandt, Elwyn A., and Robert H. Young. 1970. The Anthem in England and America. New York: Free Press.

Wiener, Jonathan M. 1978. Social Origins of the New South: Alabama, 1860-1885. Baton Rouge: Louisiana State University Press.

Wilcox, Glenn C. 1957. Jacob Kimball, Jr. (1761-1826): His Life and Works. Ph.D. dissertation, University of Southern California.

Wilcox, Glenn C. 1958. Jacob Kimball: A Pioneer American Musician. Essex Institute Historical Collections 94(October):356-78.

Wilcox, Glenn C. 1961. The Singing School Movement in the United States. In Report of the Eighth Congress of the International Musicological Society, Vol. 2. New York.

Wilcox, Glenn C. 1972. America's Oldest Musical Tradition: Kentucky's Unique "Big Singing". Bluegrass Music News 23(4).

Wilcox, Glenn C. 1974. Kentucky: Heritage of Greatness. Paper presented at the meetings of the Kentucky Historical Society, April.

Wilcox, Glenn C. 1975. The Ballad War of the Revolution. Paper presented at the meetings of the American Musicological Society, Los Angeles, November.

Wilcox, Glenn C. 1976. E. T. Pound and Unorthodox Musical Notation. In Festival Essays for Pauline Alderman: A Musicological Tribute, edited by Burton L. Karson, 195-208. Provo, Utah: Brigham Young University Press.

Wilcox, Glenn C. 1977. The Historic Role of Arts in Education. Paper presented at the meetings of the Kentucky Alliance for the Arts Education, Louisville.

Wilcox, Glenn C. 1978. Funding in Arts Education. Paper presented at the meetings of the Alliance for Arts Education, Regional Conference, Columbus, Ohio, March.

Wilcox, Glenn C. 1980. Nineteenth Century Georgia Music Publishers and Unorthodox Notation. Paper presented at the meetings of the American Musicological Society, Southeastern Division Convention, Atlanta, April.

Wilcox, Glenn C. 1981. Public School Music Propadeutics: Tools and Techniques of American Music Pedagogy before c. 1830. Paper presented at the meetings of the Music Educators National Conference, Minneapolis, April.

Wilcox, Glenn C. 1983a. 100th Birthday Greetings to Benton's Big Singing. Bluegrass Music News 34(4).

Wilcox, Glenn C. 1983b. An Abundance of Riches: The Musical Heritage of the South. Paper presented at the meetings of the Southern Division Convention, MENC, February.

Wilcox, Glenn C. 1983c. Notational Variants in Printing American Folk Music. Paper presented at the meetings of the Mississippi Folklore Society, Oxford, April.

Wilcox, Glenn C. 1984a. America's Musical Heritage: A National Treasure. Keynote Address, National Federation of Music Clubs, National Convention, August 1984.

Wilcox, Glenn C. 1984b. Propaganda and the American Revolution. DAR Magazine 118(5).

Wilcox, Glenn C. 1987. Introduction. In The Southern Harmony and Musical Companion, by William Walker, iii-xii. Lexington: University Press of Kentucky. Fourth printing of the 1854 edition.

Wilcox, Glenn C. 1992. A Salute to Kentucky's Bicentennial: 200 Years of Music in the Commonwealth. Bluegrass Music News 43(3).

Wilcox, Glenn C. n.d. Jacob Kimball, 1761-1826. Eastman School of Music microcard series.

Wilgus, D. K. 1950. "The White Pilgrim": Song, Legend, and Fact. Southern Folklore Quarterly 14:177-184.

Wilhoit, Melvin R. 1976. The Influence of the Great Awakening on the Transition from American Psalmody to Hymnody. M.M. thesis, Mankato State University.

Willard, Karen E. 1992. The Orally-Variant Repository. Buckley, Washington: The Author.

Willett, Henry. 1989. Wiregrass Notes: Black Sacred Harp Singing from Southeast Alabama. In Alabama Folklife: Collected Essays, edited by Stephen H. Martin. Birmingham: Alabama Folklife Association.

Willett, Henry. 1995a. The African-American Covenanters of Selma, Alabama. In In the Spirit: Alabama's Sacred Music Traditions, edited by Henry Willett, 17-21. Montgomery, Alabama: Black Belt Press.

Willett, Henry. 1995b. Introduction. In In the Spirit: Alabama's Sacred Music Traditions, edited by Henry Willett, 11-16. Montgomery, Alabama: Black Belt Press.

Willett, Henry. 1995c. Judge Jackson and the Colored Sacred Harp. In In the Spirit: Alabama's Sacred Music Traditions, edited by Henry Willett, 50-55. Montgomery, Alabama: Black Belt Press.

Willhide, J. Lawrence. 1954. Samuel Holyoke, American Music Educator. Ph.D. dissertation, University of Southern California.

Williams, Grier Moffatt. 1961. A History of Music in Jacksonville, Florida, from 1822 to 1922. Ph.D. dissertation, Florida State University.

Williams, G. W. 1993. Babylon is Fallen: The Story of a North American Hymn. The Hymn 44(April):31-35.

Williams, Michael Donald. 1970. A Historical Survey of Shape-Note Music and Practices in Texas. M.Mus. thesis, University of Texas at Austin.

Williams, Peter W. 1980. Popular Religion in America: Symbolic Change and the Modernization Process in Historical Perspective. Englewood Cliffs, New Jersey: Prentice-Hall.

Williams, Thomas. 1851. A Discourse on the Life and Death of Oliver Shaw. Boston: Charles C. P. Moody.

Williams-Jones, Pearl. 1975. Afro-American Gospel Music: A Crystallization of the Black Aesthetic. Ethnomusicology 19(3):373-85.

Willis, Chiquita G. 1994. The African American Shape Note and Vocal Music Singing Convention Directory. Mississippi Folklife 27(Special Issue).

Willman, Frederick R. 1976. A Brief Historical Study of the Singing Schols and Shape Notes and Implications for Music Education Today. Missouri Journal of Research in Music Education 3(5):91-111.

Wilmot, Robert Aris. 1862. English Sacred Poetry of the Sixteenth, Seventeenth, Eighteenth, Nineteenth Century. London: Routledge, Warne and Routledge.

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Wilson, Milbourne O. 1971. Singing Schools and Shape Notes. Gospel Singing Journal 1(June):7.

Wilson, Mrs. W. S. 1925. All-Day Singings. In Musical Alabama (Vol. 1, No. 121), edited by M. F. Thomas. Montgomery, Alabama: The Paragon Press.

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Windham, Kathryn. 1954. The Sacred Harp. Music Journal 12(3):14-15.

Wingard, Alan B. 1973. The Life and Works of William Batchelder Bradbury, 1816-1868. D.M.A. dissertation, Southern Baptist Theological Seminary.

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Winslow, Ralph G. 1938. A Notation Curiosity. Music Educators Journal 24(Spring):43-44.

Witty, Robert. 1959. Isaac Watts and the Rhetoric of Dissent. Nashville: Microfilm.

Wolf, Edward C. 1960. Lutheran Church Music in American during the Eighteenth and Early Nineteenth Centuries. Ph.D. dissertation, University of Illinois.

Wolf, Edward C. 1985. Two Divergent Traditions of German-American Hymnody in Maryland circa 1800. American Music 3(3):299-312.

Wolf, John Quincy. 1968. The Sacred Harp in Mississippi. Journal of American Folklore 81:337-341.

Wolf, John Quincy. 1970. The Sacred Harp in Northeast Mississippi. Mississippi Folklore Register 4(2):58-62.

Wolf, John Quincy. 1990. The Alto Part in the Sacred Harp. National Sacred Harp Newsletter 5(January). Orig. Harpeth Valley Sacred Harp News, 1965.

Wolfe, Charles K. 1981. "Gospel Boogie": White Southern Gospel Music in Transition, 1945-55. Popular Music 1:73-82.

Wolfe, Charles K. 1982a. Early Gospel Quartets: The Case of the McDonald Brothers. Mid-America Folklore 10(Fall-Winter):70-78.

Wolfe, Charles K. 1982b. Gospel Goes Uptown: White Gospel Music, 1945-1955. In Folk Music and Modern Sound, edited by William Ferris, and M. L. Hart, 80-100.

Wolfe, Charles K. 1983. Frank Smith, Andrew Jenkins, and Early Commercial Gospel Music. American Music 1(1):49-59.

Wolfe, Charles K. 1985. Bible Country: The Good Book in Country Music. In The Bible and Popular Culture, edited by Allene Stuart Phy, 85-101. Philadelphia; Chico, California: Fortress; Scholars.

Wolfe, Charles K. 1995a. Early Southern Gospel Figures from North Alabama: A Preliminary Checklist. In In the Spirit: Alabama's Sacred Music Traditions, edited by Henry Willett, 76-80. Montgomery, Alabama: Black Belt Press.

Wolfe, Charles K. 1995b. Seven-shape-note Gospel Music in Northern, Alabama: The Case of the Athens Music Company. In In the Spirit: Alabama's Sacred Music Traditions, edited by Henry Willett, 62-76. Montgomery, Alabama: Black Belt Press.

Wolfe, Irving. 1965. Our Debt to George Pullen Jackson. In Minutes of Carroll, Cobb, Coweta, Douglas, Fulton, Haralson, Heard, Paulding, and Polk Counties, Georgia: Sacred Harp Singings, 1965. Dunwoody, Georgia: M. L. Cagle.

Wolfe, Irving. 1975. Sacred Harp Singing. Lecture for the American Choral Directors Association Convention, St. Louis, March 8.

Wolfe, Richard J. 1980. Early American Music Engraving and Printing. Urbana: University of Illinois Press.

Wolosky, Shira. 1988. Rhetoric or Not: Hymnal Tropes in Emily Dickinson and Isaac Watts. New England Quarterly 61:214-232.

Wolverton, Josephine. 1937. Eighteenth Century Music Teaching in America. M.A. thesis, Northwestern University.

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Wooton, Charles F. 1963. Kentucky Harmony. Unpublished research paper. Housed at the Music Library, Southwestern Baptist Theological Seminary, Fort Worth, Texas, 1963.

Work, John Wesley. 1941. Plantation Meistersinger. Musical Quarterly 27:97-106.

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Wright, Robert Foster. 1965. A History and Analysis of the Sternhold and Hopkins Psalter, c. 1549-1649. D.C.M. dissertation, Southwestern Baptist Theological Seminary.

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Wunderlich, Charles E. 1962. A History and Bibliography of Early American Musical Periodicals, 1782-1852. Ph.D. dissertation, University of Michigan.

Wunderlich, Joyce C. 1960. A History of the Teaching of Sight Singing in the United States. M.A. thesis, Ithaca College.

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